Showing posts with label play. Show all posts
Showing posts with label play. Show all posts

20 July 2011

The Ruby Prize for a Woman of Color Playwright 2011/ 2012 (USA)

Deadline: 15 September 2012

Southern Rep is now accepting submissions For THE RUBY PRIZE, our national new play award for a woman of color playwright and announces a new partnership With Hedgebrook:
a ten-day writer’s retreat for the RUBY PRIZE Winner

THE RUBY PRIZE

An annual new play award of $10,000 to a woman of color playwright named in honor of Ruby Bridges, representing perseverance in the face of formidable obstacles.

This program was conceived as part of ongoing efforts made by Southern Rep to develop new American plays, support a diverse community of artists, and incite a stimulating dialogue within our community.

THE PRIZE

• $10,000 prize
• A week long development workshop with collaboration of full artistic team at the
Southern Rep New Play Bacchanal, held in New Orleans, January 5 – 7, 2012
• A sponsored trip to New York to continue development of the play and introduce the
new work to a larger audience.
(The above travel includes roundtrip air and accommodations.)
• A ten-day writing retreat to Hedgebrook. Located on beautiful Whidbey Island near Seattle,
Hedgebrook offers one of the few residency programs in the world exclusively dedicated to
supporting the creative process of women writers. Through innovative public programs,
Hedgebrook enables women’s work to enrich the global community by diversity: of culture,
nationality, voice, genre, generation, perspective, religious beliefs and political affiliations.
(Does not include travel.)

Two finalists will be selected to have their new works read at the Southern Rep New Play Bacchanal in January 2012. (Includes roundtrip air and accommodations. There is no cash award associated with the selection of finalists.)

GUIDELINES

The contest will be open to US citizens who self-identify as women of color, and may be either emerging or established playwrights.

Southern Rep’s in-house readers will review and evaluate scripts, selecting finalists that will be move into the next round of judging. The final panel consists of national and local theatre artists with Southern Rep’s Artistic Director, Aimée Hayes.

Plays may be of any genre: drama, comedy, musical, etcetera. We will not accept collaborative scripts, translations, one-acts, or any play previously submitted to Southern Rep. In the case of musical submissions, only the playwright will be eligible for the prize.

Plays that have had a professional production, or have been written under a commission, are not eligible for submission. Plays that have received a development workshop, or reading/s or nonprofessional production are eligible. (“Professional production” shall be defined as a production with paid actors and had an official press opening.)

If selected as a Prize Winner or Finalist, playwright agrees that Southern Rep may include the play in an annual Ruby Prize publication. The publication will not require any exclusive rights for printing.

Only one submission per playwright is allowed.

SUBMISSIONS

Each submission shall include a letter of introduction that should contain a brief play synopsis, a
character breakdown, playwright bio, and brief history of the play’s development. The manuscript should have a title page containing the playwright’s name, address and contact information. This information may ONLY appear on the title page.

Submissions must be sent by email, as an attached document, in PDF (preferred) or Word doc format.

Submit all of the required elements in ONE email to TheRuby@SouthernRep.com. Please no Phone or Email inquiries regarding submissions.

If the play is a musical, CDs of original music may be sent to:
attn: The Ruby Prize; Southern Rep;
333 Canal ST, Box 34; New Orleans, LA 70130.
CDs will not be returned.

Due to anticipated number of submissions, we regret that feedback will not be available to submitting playwrights

SCHEDULES AND DEADLINES

September 15, 2011: Submission Deadline

November 1, 2011: Winner Announced

January 5 - 7, 2012: New Play Bacchanal Workshops and Readings

ABOUT HEDGEBROOK

Hedgebrook is a literary non-profit that supports the work of visionary women writers whose stories shape our culture now and for generations to come. Founded in 1988, Hedgebrook hosts a global community of writers, more than 1,200 in two decades, at our Whidbey Island retreat. Hedgebrook’s public programs connect these women’s work with thousands of readers and audience members each year through readings, screenings, events, salons, publications and festivals. The annual Hedgebrook Women Playwrights Festival (HWPF) celebrates the work of women writing for the theatre. Since the festival’s inauguration in 1998, HWPF has supported the work of an impressive array of women playwrights and served an important role in the development of new plays by women.

Contact Information:

For inquiries: no email inquiries

For submissions: TheRuby@SouthernRep.com

Website: http://www.southernrep.com
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19 July 2011

Call for Playwrights and Directors: The Lucille Lortel Festival of New Plays (Connecticut)

Deadline: 1 August 2011

Theatre Fairfield, the producing wing of the Theatre Program at Fairfield University, seeks Connecticut-based playwrights and directors for Theatre in the Raw: The Lucille Lortel Festival of New Plays. Theatre Fairfield will commission playwrights to write new, short plays (20-30 minutes). Plays will be workshopped and produced with acting students from Fairfield University from November 2011 to March 2012. These are paid positions.

To be considered as a playwright, send a resume, letter of interest, and (1) 20-30 minute play as a writing sample. The writing sample should include at least one but preferably more female characters. Selected playwrights will then write a new play for the festival and be involved in the workshop process.

To be considered as a director, send a resume and letter of interest highlighting any experience you have with new play development. Send materials electronically to Mariah Sage, assistant professor of theatre, msage@fairfield.edu. All materials are due August 1, 2011.

Contact Information:

For inquiries: msage@fairfield.edu

For submissions: msage@fairfield.edu

Website: http://blog.fairfield.edu
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15 July 2011

6 Women Playwriting Festival 2012 Contest

Deadline: 30 September 2011

Our commitment to find and produce excellent ten-minute plays by women playwrights has resulted in some changes in our submission process to the Six Women Playwriting Festival. Please read the following policies carefully before submitting your play.

The Six Women Playwriting Festival 2012 will be held:

April 12-15, 2012
April 19-22, 2012
April 26-29, 2012

The theme of this year’s festival is TRANSFORMATIONS.

Beginning with the next contest (Deadline: Friday, September 30, 2011), submissions will be limited to the first 250 scripts we receive.

Writers whose plays are selected for production will be notified by February 15, 2012.

Each playwright may submit only one script—send us your best work!

We are unable to accept electronic submissions.

No scripts will be returned.

Each script must be no more than ten pages long.

Previously submitted plays are not accepted and will not be returned nor receive a response.

Each manuscript must be typed and individually bound or stapled.

Title page must include the playwright’s name, address, phone number, e- mail address and a sixty-word bio.

An honorarium of $100 will be awarded for each of the six winning plays.

Please Note:

This year, one play will be work shopped by the MAT actors and director. The playwright, whose play is selected, will receive travel costs to Colorado for this workshop opportunity in addition to her $100 honorarium for the weekend of April 12-15.

Send your submission to:

6 Women Play Festival
c/o Pikes Peak Arts Council
PO Box 1073
Colorado Springs, CO 80901

Contact Information:

For submissions: 6 Women Play Festival, c/o Pikes Peak Arts Council, PO Box 1073, Colorado Springs, CO 80901

Website: http://www.sixwomenplayfestival.com/
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25 June 2011

No Entry Fee: KWWC 2011 Prize for Women Playwrights

Deadline: 1 July 2011

The Kentucky Women Writers Conference will award a national playwriting prize to bring more scripts by women to the stage, especially those featuring majority-female casts. The winner will receive a production by Balagula Theatre in Lexington, Kentucky (www.balagula.com), plus a cash prize of $500. The winning play will be workshopped prior to its world premier for a paying audience in winter 2012.

The Kentucky Women Writers Conference has decided to waive the $10 entry fee in adherence to Dramatists Guild policy.

Eligible Playwrights

The competition is open to all women playwrights. There are no restrictions on age, residence or experience. Playwrights previously unpublished are strongly encouraged to submit their work. Co-authored scripts are eligible if at least 50 percent of co-authors are female.

Eligible Plays

One-act or full-length scripts in English, with a running time between 45 and 90 minutes, that have not been published or commercially produced as of the entry deadline (July 1, 2011) and will not be published or produced before the release of the KWWC production (winter 2012). However, scripts that have been staged in a workshop production or script-in-hand staged readings are eligible.

Deadline and Timeline

* Mailed submissions must be postmarked by July 1, 2011
* Winner will be posted on our Web site www.kentuckywomenwriters.org on September 1, 2011
* Winning script will be workshopped in October - December 2011
* Production will occur in winter 2012
* $500 cash prize to be paid on opening night of production

Subject Matter, Casting, and Production Limitations

KWWC is seeking new plays that can be produced as world premieres. We place no limitations on subject matter. However, KWWC espouses a feminism that creates economic equality, a violence-free society, and racial and ethnic justice, and we encourage art that envices a consciousness about the cultural inheritance of women's identity. Scripts may be based on factual events, purely fictional, or adaptations. KWWC encourages women writers not trained as playwrights to adapt their own fiction, nonfiction, or poetry for the stage. KWWC is not seeking one-man or one-woman scripts, musicals, or children's plays. Limitations:

* Reading time must be in the range of 45-90 minutes.
* Casts must be in the range of 2-6 actors, preferably with a majority female cast
* Set, lighting, sound, costume, and prop requirements must be kept to a minimum. The producing theater has a modular stage (nine 8-foot by 4-foot platforms) with a stage height of 9 feet. Performance space is limited to 12-feet deep. The stage has no curtain and no off-stage wings. Adequate lighting and sound capabilities are available. Questions about performance space should be directed to the Balagula Theatre Company: theatre@balagula.com

Judging Process and Criteria

All entries will be screened by KWWC staff for completeness and adherence to contest guidelines. Judging will consist of two rounds. In round 1, a diverse panel of theater professionals and educators will choose 5 finalists. In round 2, Naomi Wallace will choose 1 winner. Judging will be guided by the following criteria, in descending order of importance:

* Literary merit and theatrical potential
* Number of compelling roles for female actors (cast is limited to 6)

Download Playwriting Prize Forms:

Printable version of the Guidelines [PDF]

Submission Checklist [PDF]

Submission Forms and Agreement [PDF]

FAQs (updated 5.26.2011) [PDF]

Contact Information:

For inquiries: kentuckywomenwriters@gmail.com

For submissions: Prize for Women Playwrights, Kentucky Women Writers Conference, 232 East Maxwell Street, Lexington, KY 40506-0344

Website: http://www.kentuckywomenwriters.org
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23 April 2011

The River Crosses Rivers: A Festival of Short Plays by Women of Color - Call for Submissions

Deadline: 6 June 2011

Going to the River (GTTR) was founded in 1999 at the Ensemble Studio Theatre by the late Curt Dempster and Elizabeth Van Dyke. The primary goal of Going to the River is to provide a major New York City forum in which professional African-American female playwrights may develop, refine and present their work.

The annual projects and events sponsored by Going to the River include a Mainstage production, staged readings of new work, Down By the River All By Yo’Self (solo pieces), a River Poetry Slam Jam, panels and distinguished guest speakers, and a GTTR Writers’ Unit.

CALL FOR SUBMISSIONS

Going to the River and Ensemble Studio Theatre (EST) are now accepting submissions for THE RIVER CROSSES RIVERS: A FESTIVAL OF SHORT PLAYS BY WOMEN OF COLOR. Going to the River (GTTR) is a program founded to produce and support African-American female playwrights by providing a major New York City forum in which playwrights develop, refine, and present their work.

Requirements: Ten-minute plays by female playwrights of color New and never produced. Limit of 2 plays Estimated running time of no more than ten minutes Please be mindful of cast size. The submission deadline is Monday June 6th, 2011 at 5:00pm EDT Ten plays will be selected and produced on EST’s main-stage in the Fall of 2011.

Only e-mail submissions addressed to gttr@ensemblestudiotheatre.org will be considered. To be considered submissions be in the form of one Microsoft Word document and organized as follows:

Page 1: Cover page to include: the title page estimated running time the playwright’s name, address, city, zip code, phone number
Page 2: A biography of the playwright
Page 3: Character Breakdown
Page 4: Begin the body of the play

We are sorry we are unable to take phone calls. You may address inquiries to: gttr@ensemblestudiotheatre.org

Contact Information:

For inquiries: gttr@ensemblestudiotheatre.org

For submissions: gttr@ensemblestudiotheatre.org

Website: http://ensemblestudiotheatre.org
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25 March 2011

Call for Scripts: The Women's Theatre Project

Deadline: 31 March 2011

Script Submissions

The Women’s Theatre Project spends many hours researching, meeting and reading scripts by female playwrights for production consideration. Each script meeting our submission guidelines is read by a minimum of two readers. All script decisions are acknowledged by a postcard.

The Women's Theatre Project produces four productions each calendar year. Royalties are paid to playwrights/publishing companies.


Guidelines for submission:

The Women’s Theatre Project seeks submissions of full-length plays with ALL FEMALE casts by female playwrights for our intimate, professional black box theatre. Submissions accepted via email at:

twtp@bellsouth.net or by mail at:

The Women's Theatre Project
505 NW 1st Avenue
Ft Lauderdale, Fl. 33301

The Women's Theatre Project, Ft. Lauderdale, Florida is presenting: GIRL PLAY, their Third Annual Lesbian Play Reading Series.

Readings will take place June 24, 25 and 26, 2011 at the Pride Center at Equality Park in Wilton Manors, FL. We will choose between 14-16 scripts and present them in two programs, Friday and Saturday night. Audiences will vote on their favorite scripts and the "Best of the Fest" will be presented at the Sunday matinee.

Seeking short plays (5-12 minutes-figure one minute a page); written by women with a lesbian theme; cast limit (women and men) is 2-8.

Limited submission: No more than 2 scripts per playwright.

Scripts may be submitted to: twtp@bellsouth.net with Lesbian Playwriting Festival 2011 written in subject line.

Scripts may also be sent to our mailing address: 505 NW 1st Avenue, Ft. Lauderdale, FL 33301.

Scripts must be received by midnight (EST) on March 31, 2011.

No submission fee.

The Women's Theatre Project, a 501(c)(3) not-for-profit organization, was founded in 2002 and is the only professional theatre company in the country founded by women and exclusively presenting theatrical works written by women with all female characters.

More information here.
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Call for Submissions: Seasons (playwrighting journal of the International Centre for Women Playwrights)

Deadline: 25 May 2011

The International Centre for Women Playwrights (ICWP) is calling for submissions for a special African themed issue of “Seasons”, our playwrighting journal. We’re seeking submissions on all aspects of African women playwrights, and women in creative roles in the theatre and performing arts industry.

Do you have an article, story, extract of writing, blog or opinion you’d like to share? We want to explore the full scope of what voices are speaking in Africa today. Please email us a brief enquiry, stating what you’d like to write, and submit it by 12 April. Full articles and pieces will be due by 30 April. The African Edition will be launched on Africa Day, 25 May.

Submissions and enquiries: seasonseditor@womenplaywrights.org

More information here.
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11 March 2011

Call for Submissions: The Black Barbie Anthology

Deadline: 21 June 2011

Recently, on a shopping trip to Toys R Us, I (Antoinette Brim) came across a display of Barbies in the Basic Black series. Each doll was clothed in a little black dress inspired by legendary designer, Diane Von Furstenberg. In the front row of the display, there were three different black Barbies in three skin colors and with three different hair textures in three different little black dresses. My dear friend was immediately drawn to the doll known as "Goddess." She picked up the doll and said softly, "I have never seen a Barbie [with] my color and with my hair."

Educators, poets, artists and now co-editors, Antoinette Brim, Lita Hooper and Demetrice Worley will be compiling an anthology of poetry, fiction, non-fiction (essays), and ten-minute plays surrounding the notion of beauty as it relates to black girls and women. Use Deidre, Goddess and/or Mbilia (the three black Barbies) as your muses. However, while the three black Barbies are the catalyst for this project, they need not be represented directly in your work. Consider how the standard of beauty impacts the way girls groom, envision, present, value and devalue themselves and each other. Consider how the larger community judges black beauty. Consider how the media depicts the black body. Visual Artists interested in submitting artwork for the anthology cover, should also submit.

The submission deadline is June 21, 2011. This call is open to all races and genders. Previously published work is welcome. Presently, a publisher is being sought.

  • Please e-mail poetry submissions to: threeblackbarbiespoetry(at)gmail.com
  • Please e-mail fiction submissions to: threeblackbarbiesfiction(at)gmail.com
  • Please e-mail essays and ten minute play submissions to: threeblackbarbiesessays.plays(at)gmail.com
  • Please e-mail cover art submissions to: threeblackbarbiescoverart(at)gmail.com

(replace (at) with @ in sending e-mail)
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Call for Submissions: Clay & Paper Theatre's Most Romantic Day of Delight (Canada)

Deadline: 15 April 2011

Clay & Paper Theatre is preparing for our most romantic Day of Delight to date! Our 9th annual celebration of love, courtship and desire, set to passionately unfold on the afternoon of Sunday June 19, 2011, will culminate this year in an amorous and authentic wedding that will be celebrated by all our fanciful festival revelers in Dufferin Grove Park.

We are seeking sexy collaborators of all artistic disciplines to contribute works to tell a love story from first glance to wedding vows. Will your work tell the tale of the first date? The courtship? The stag and doe? Be creative! Be delightful! While this wedding tale will form the core of the festival, we also welcome submissions that respond more widely to Day of Delight’s overarching themes of Love, Courtship and Desire. Works of all artistic disciplines are encouraged. This includes theatre, music, dance, spectacle, poetry, performance art, installation, puppetry, participatory works… we dare you to surprise us!

Offerings can be large or small, new or old – but must be suitable for outdoor space and relate to telling our central love story or respond to the themes of love, courtship and desire. We have found that works of about 15 minutes in length seem to work best, whereas dialogue-driven works of a realistic nature seem to work the least. A modest honorarium will be offered to all participating individuals or groups. Please note that you are responsible for providing all requirements for your production, ie: cast, director, set pieces, etc., although we will provide whatever support we can.

BYOA (Bring your own Access): Clay & Paper encourages applications that integrate access solutions into the performance, such as someone performing in American Sign Language, featuring a wheelchair performer, or including integrated audio description to increase accessibility for the blind or visually impaired. Use your imagination and BYOA!

Deadline for Submissions: Friday April 15 at 5 PM. Those accepted will be notified by April 21. Please submit your proposal to clayandpaper@sympatico.ca. The proposal can be in whatever form you think best describes your project and ability to carry it out; this can include an artist statement, script, photographs, video, audio, participant CV’s, etc. If you want to do things old-school, you can mail your proposal to: Day of Delight Submissions, Clay & Paper Theatre, 163 Concord Ave. Toronto, ON M6H 2P2. Feel free to email or call if you need more information: (416) 708-3332.

More information here.
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03 March 2011

The $35,000 Susan Smith Blackburn Prize for Women Playwrights (English-speaking countries)

Deadline: 15 September (North America), 20 September (UK)

The Susan Smith Blackburn Prize, established in 1978, is given annually to recognize women who have written works of outstanding quality for the English-speaking theatre. The Prize is administered in Houston, London and New York by a board of directors who choose six Judges each year, three from each side of the Atlantic.

The Prize currently awards $35,000 annually to the Finalists: Winner- $20,000, Special Commendation-$5,000,and other Finalists- $1,000. Finalists are the top ten plays. In addition, the Winner receives a signed and numbered Willem de Kooning print made especially for the award. The Special Commendation is given at the discretion of the Judges.

Each year, a specified list of professional theatres throughout the English-speaking world is invited to submit plays for consideration. Plays are received in September, and the award ceremony is held in February or March. Plays must be full-length. Plays are eligible whether or not they have been produced, but any premiere production must have occurred within the preceding calendar year. Previous winners are not eligible.

Scripts receive multiple readings by an international reading committee, resulting in the selection of 10 Finalists. All six judges for the Prize read every Finalist.

Our permanent list of Finalists, numbering well over 300 plays, has become an important resource for theatres interested in new work. As a direct result of being Finalists, many playwrights have received productions, grants and public recognition. The Prize has motivated women to write for the theatre, and has also fostered the interchange of plays between the United States and Britain, Ireland and other English-speaking countries. It has anticipated later recognition. Seven Finalists have subsequently won the Pulitzer Prize for Drama, the only women to be so honored since the founding of the Blackburn Prize. The Susan Smith Blackburn Prize is now firmly established as a highly regarded international competition. There is every indication that it will continue to grow.

Submission policy

The Directors of the Prize have established that plays will be received from specified professional theatres throughout the US, the UK and the Republic of Ireland, as well as other English-speaking countries. Each year, letters inviting submissions go out to the listed theatres (see links below) during the second half of August. Plays are due by September 15th in North America, and by September 20th in the UK.

Plays are eligible whether or not they have been produced, but any premiere production must have occurred within the preceding calendar year. Previous winners are not eligible.

Source Theatres (USA)

Source Theatres (UK and Republic of Ireland)

Source Theatres (Canada)

Source Theatres (South Africa)

Source Theatres (Australia)

Source Theatres (New Zealand)

More information here.
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25 February 2011

Voices and Vision: Call for Submission of Projects Initiated by Women Theater Artists (USA)

Deadline: 15 March 2011

Call for Submissions
The ENVISION Retreat
June 12-26, 2011
Bard College, Annandale-on-Hudson, New York

Voice & Vision is looking for projects initiated by women theater artists including performers, directors, writers, designers and groups of collaborators.

Voice & Vision Theater’s annual summer Retreat offers selected participants an artist-centered workshop environment where they can develop projects with women at the core. Voice & Vision provides ample rehearsal space on the Bard College campus, dramaturgical support, round-trip transportation from New York City, housing, a daily stipend and most meals. The ENVISION Retreat affords each artist a highly focused workspace and opportunities to informally present their works-in-progress.

Projects will be chosen to reflect a broad range of aesthetic and cultural perspectives. Past Retreat participants include Ruth Maleczech and Mabou Mines, Kia Corthron, Estelle Parsons, Olympia Dukakis, Yeardley Smith, Lola Pashalinski, Lynn Nottage, Chiori Miyagawa, Caridad Svich, Kristin Marting, Karen Hartman, Jennifer Miller, Lisa D’Amour and Theodora Skipitares.

In honor of our 20th Anniversary Retreat, we will invite an additional Writer in Residence or Solo Artist in Residence to take part in this year’s Retreat!

Please email your submission to voiceandvisioninc@gmail.com and attach the following:

* The application form available below
* Your script, if available (if not, excerpts are acceptable, or an earlier script)
* Resumes of any project participants already connected to the project, whom you would like to bring to the Retreat (we do not expect or require that you already have your creative team together, we just need to know if you do)

Send $20 application fee to:
Voice & Vision
Attn: ENVISION Retreat
520 8th Avenue, #316
NY, NY 10018

Decisions will be announced by email by May 15th, 2011.

For more information: voiceandvisioninc@gmail.com, or call212.268.3717

More information here.
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03 February 2011

Women's Work Play and Screenplay Contest

Deadline: 10 February 2011 (no entry fee), 31 March 2011 (final)

Women's Work Play and Screenplay Contest

I am a playwright. I also happen to be a woman, but I am not a woman playwright.
–Lillian Hellman, author of The Children’s Hour

Pride Films and Plays Women’s Work is a contest for writers who just happen to be women. Pride Films and Plays endeavors to enhance the visibility of women who write and offer them opportunities to be heard loud and clear. Or, in this case, loud and queer. The Women’s Work contest consists of two components: Sapphics on Stage and Sapphics on Screen.

Sapphics on Stage is a contest for work with lesbian characters, history, or themes for the theatre, including performance art or other performed pieces. Sapphics on Screen is a contest for work with lesbian characters, history, or themes for film and television.

The contests are open to all women whose writing is pertinent to the lesbian community and relevant to the world. Writers may submit two works for consideration. Contest finalists will receive a cash prize and a staged reading of their work in Chicago in June 2011. Applications are being accepted from February 1 through March 28, 2011.

Women's Work Contest

The Women's Work Contest has two categories: Sappics on Screen and Sapphics on Stage. The Sapphics on Screen Contest fosters excellence in work written by women for film and television; the Sapphics on Stage Contest fosters excellence in work written by women intended for live performance, including plays, performance art, monologues, and other performance pieces. All materials submitted must be written by a woman (or women) and have lesbian characters, history, or themes pertinent to the lesbian community and relevant to the world. Entry fee is waived if entry is received by February 10.

Entry fee is $15 if entry is received between February 11 and February 28. Entry fee is $20 if entry is received between March 1 and March 31. To make the final deadline, scripts must be received by 11:59 pm Central Time on March 31, 2011. If material was submitted to our Great Gay Play Contest or Great Gay Screenplay Contest, it can be resubmitted with no fee. However, resubmission is required because we have different reading panels for each contest. If making more than one entry, please complete a separate application for each. A $10 discount can be taken on the second entry. No more than 2 entries will be accepted from any writer.

After completing the form on the site, hit Submit. Then email a copy of your text to PrideWomen@gmail.com. In the subject line please indicate Stage or Screen. Should you have any questions, email Allison Fradkin, Literary Coordinator at PrideWomen@gmail.com.

Submit through the form here.
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02 February 2011

No Entry Fee: The $1,000 Babes With Blades' International Playwriting Competition

Deadline: 28 February 2011

Babes With Blades' International Playwriting Competition

Founded in 2005 to increase the number of quality scripts featuring fighting roles for women

Joining Sword & Pen Submission Guidelines

The winning script will be produced in Spring 2012 as part of Babes With Blades’ 2011-12 Season.

The winning playwright will receive a $1000 cash prize.

Submission REQUIREMENTS:

1. Only FULL LENGTH submissions will be accepted: 75-120 minutes (at least
75 pages) in length. Shorter submissions will not be read or considered.
NOTE: Please DO NOT send incomplete submissions, excerpts or a synopsis.

2. The moment depicted in the image must be depicted in the play.

3. Both all-female and mixed-gender casts will be considered.

a . Women must be in most/all of the primary roles
b . Women must be featured in most/all of the combat
4. U.S. and international, male and female authors’ submissions are accepted.

5. All submissions must be new, original works, inspired by the contest's topic.
Previously workshopped, published or performed submissions will not be considered.

6. The author must observe and adhere to the submission deadlines.

Please Consider:

1. We are a stage combat-oriented theatre company. We like fights!
2. We typically perform in small, black box theatres. As such, small casts & simple settings will be favored. Preference will be given to scripts that require fewer than 12 actors, and a minimal number of locations.
3. Please take a few moments to peruse our website at www.babeswithblades.org
to familiarize yourself with the mission and direction of our company, our current
members, and our past shows.

Submission Guidelines:

1. Submissions are due NO LATER than February 28, 2011.
2. Electronic submissions preferred: email to swordandpen@babeswithblades.org
a) IMPORTANT: This will be a BLIND SUBMISSION PROCESS.
This means your email submission should contain two separate attachments.
- Your cover page with title, name, and full contact information (name, phone numbers, email, mailing address).
- Your script. DO NOT include ANY contact information in the body of your script. No names, by-lines, or contact information of ANY kind. This is to ensure that when the selection panel reads your script, it is a blind read. An author’s identity will only be revealed once a selection has been made.
3. If you are unable to submit via email, you may submit by snail mail to Babes With Blades, C/O Morgan Manasa, 444 N. Wabash Ave. Chicago, IL 60611. If submitting via snail mail, do not bind or staple your script.

Scripts submitted will be considered the original creations of the authors, not Works for Hire. The author will retain all copyright rights and privileges granted thereto. If a winning script is eventually published, we ask authors to note “Babes With Blades” as the original producing company.

Additional Questions? Please email swordandpen@babeswithblades.org

More information here.
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The Women & Theatre Program Jane Chambers Playwriting Contest

Deadline: 15 February 2011 (early deadline), 1 March 2011 (final deadline)

Submission Guidelines 2011

The Women & Theatre Program of the Association for Theatre in Higher Education invites submissions from female playwrights for the annual Jane Chambers Award!

For the Jane Chambers Student Playwriting Contest, click here

The Jane Chambers Playwriting Award recognizes plays & performance texts created by women that present a feminist perspective & contain significant opportunities for female performers. Experimentations in form and subject matter welcome. This annual award is given in memory of lesbian playwright Jane Chambers who, through her plays such as A Late Snow, My Blue Heaven, Kudzu, & The Quintessential Image, became a major feminist voice in American theatre.

The Award for the primary Jane Chambers Contest consists of $500, free registration to attend the Association in Theater in Higher Education’s conference in early August & a rehearsed reading of the winning piece at that conference, hosted by WTP, with ATHE. The winner should attend the conference’s awards ceremony. The student winner is also recognized.

To enter, please send three copies of a typed script, application form, resume, brief description of the piece, and your email contact information. Please, only one submission per applicant, and no email submissions. NO FEE is Required (voluntary donations, blind to jurors, are welcome).

Mail submission to:

Jane Chambers Award
C/O : Maya E. Roth
108 Davis Performing Arts Center
Department of Performing Arts, Box 571063
37 & O Street, NW
Georgetown University
Washington DC, 20057-1063

All entries MUST be received by Feb 15, 2011 (grace period to March 1).

The Women & Theatre Program will announce the winner by June 30, 2011.

For frequently asked questions about the contest please visit our Jane Chambers FAQ page.

More information here.
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27 December 2010

Director of Three Children's Plays Needed (New York)

Reply to: job-7cwzn-2124538022@craigslist.org

THREE POSITIONS: APPLY FOR ONE...OR ALL: Westchester based musical youth theater is seeking a person (preferably a teacher from a private or public elementary school) to direct children in a musical production. We need directors for three different MUSICAL plays. You can apply to direct one, two OR three plays. You only need to be available to teach or direct ONLY ONE however. It seems really essential that you live in Westchester and have a car!

Different locations to choose from: CHOOSE ONE, TWO OR THREE LOCATIONS.

Rye on Monday or Friday 4-7 pm with the Rye group OR Bedford Village on Monday 4-7 pm with the Bedford group OR Mt. Kisco on thursday 4-7pm with the Mt. Kisco group 4-7

Patience, a sense of fun and a flair for musical theater, reliability, great references, experience working with children in educational background, and a good resume are what we are looking for. You will be working with about 12-15 children at a time and you will have an assistant. The job starts in early January and the plays are in April. It is not essential that you are a director. Being a true teacher is probably more important with a knowledge of musical theater and a love of theater. But if you have directed plays and can sing and dance...so much the better. You must have fabulous references! YOU WILL BE WORKING WITH THE PRODUCER OF THE COMPANY EVERY OTHER WEEK so the responsibility is not totally yours. We need to move very fast on filling these positions.

Location: Westchester County

Compensation: $500-$750 per play...negotiable.

More information here.
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18 December 2010

Free Writing Workshop from 2|Women and Wandsworth Woman’s Aid (West Hill, UK)

Deadline: 17 January - 21 February 2011

2|Women and Wandsworth Woman’s Aid are offering you the chance to take part in a free 6 weeks creative writing course, every Monday morning from 9 to 11 in Wandsworth starting on the 17th of January. (Registration essential for security reasons) Let yourself be set free by words in a safe and friendly environment with other women in your situation.

* Creation of a final drama piece to be performed by professional actors in Central London for Mother’s Day.
* Classes held in your local area.
* Friendly, fun and non-judgemental environment with women teachers only.
* Free crèche services on location for children between 1 and 12 by CRB checked volunteers.
* Free cakes and hot drinks at every meeting.
* Anonymity conserved throughout the project.
* A chance to share and help other women victim of Abuse.
* A time to escape your weekly routine for 2 hours every week.
* You and your family will get free tickets to the grand opening of the show in April 2011.

Please note this workshop is only open to women who are directly involved with the issue addressed, either personally, through work or through a close relative.

Mon, 17th Jan 2011, 09.00 - Mon, 21st Feb 2011, 11.00

Hosted by: 2|women and Wandsworth womens aid

Venue: West Hill Children Centre

Contact: Fiona Cross 07729728719, 2women.2010@gmail.com

More information here.
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13 December 2010

Call for Submissions: Women and Their Callings (The Kathie Rasmussen Women's Theatre)

Deadline: 28 January 2011

The Kathie Rasmussen Women's Theatre seeks previously unproduced short plays and monologues by women for a Spring 2011 production.

Theme: "Women and their callings." Callings include careers and unpaid work as well as passions (such as the arts, performance, activism, and leadership), skilled activities (say, knitting), and so on. Is your protagonist a detective? An android?

DUE DATE: We will consider plays by women submitted no later than Friday, January 28, 2011. For formatting requirements and other info, email artistic@madwomenstage.org

Rehearsals: February and March

Performances: April 1-3 & April 8-10 (six performances)

Questions? artistic@madwomenstage.org

More information here.
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10 December 2010

Quickies Volume 12: Live Girls! Theater Seeks Plays by Women

Deadline: 3 January 2011

Quickies Volume 12 Call for Submissions:

Live Girls! theater in Seattle Washington is seeking 10-minute plays by women for our 12th annual festival of shorts, Quickies. Plays submitted for Quickies may have had previous productions outside of Seattle but new works are encouraged.

All submissions must be submitted by January 3rd, 2011 to be considered for Quickies Volume 12.

Live Girls! is a Seattle theater dedicated to producing and developing new work by women since 1999. Quickies is Live Girls! trademark event and longest running program. 2011 will bring our 12th installation of this short play event which includes 6 short plays by women every year as well as up and coming local directors and actors and tons of fabulous entertainment in between the plays. It all adds up to a fantastic, not to be missed event. Quickies Volume 12 will be performed in association with Theater Off Jackson in June 2011.

THE FINE PRINT! (Please read it all!)

* Please send all submissions to submissions@lgtheater.org

* In the body of your email please introduce yourself, we are always excited about meeting new playwrights! You should also include: any previous production history for plays submitted. You may include a bio or resume if you like but that is not required.

* Playwrights may submit up to 3, short plays total. They should be close to a 10 minute running time.

* Plays submitted should be sent as attachments in MS Word or PDF format

* Keep in mind we are a small theater taking the risk to produce new works; and probably can’t accommodate very large casts or long lists of tech requirements.

* Submissions for the 2011 Quickies recieved by Jan 3rd 2011 will receive a reply no later than the end of Feb 2011.

Meghan Arnette
Artistic Director Live Girls! Theater
meghan@lgtheater.org

More information here.
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07 December 2010

Female Comic (LA/ NY) Seeks New Material

Reply to: gigs-tc3jb-2093751425@craigslist.org

I am a female comic, who needs someone to write some new material with. I have done comedy in New York as well as L.A., and it's been a while since I've been up. I need someone to either write with or write some stuff for me, because I NEED to get back on stage! What I'm lacking is some fresh, funny stuff....My "funny" is effortless, just need some hotness to spark that flame. I'm from Brooklyn by way of Jersey, so the street "cred" is there, haha...Let's work! What u got?

Location: Hollywood

Compensation: negotiable

More information here.
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02 November 2010

Call for Scripts (from American women playwrights) for the 5th Annual Pandora Festival

Deadline: 30 January 2011

Arizona Women’s Theatre Company seeks scripts by American women playwrights for its 5th annual Pandora Festival.

For the first time in the history, AZWTC is accepting submissions for the Pandora Festival from women playwrights living in any of the 50 United States of America! This is a national call for unpublished full length, one-act, and/or 10-minute plays to be juried and possibly selected for staged readings at the Scottsdale Center for the Performing Arts, Scottsdale, AZ on May 20, 21& 22, 2011.

SUBMISSION GUIDELINES: Please read carefully

Categories for submission

Full Length (75-120 minutes)
One Act (30-60 minutes)
Ten Minute (10 minutes or less)

Please note Category on Title page

One Play per Playwright

Script must be in Standard Play Format (see below for details)

Script must be bound securely in non-permanent binding system--brads, 3 ring binder, presentation folder, or other. No spiral-bound or stapled.

Your name and contact information (phone, address, email) should appear on the Title page but not within the body of the manuscript. Title page will be removed to ensure an objective reading.

Page number and Play Title should be included in the header area of each page following the Title page so if a play becomes unbound it can be easily re-assembled.

Scripts will be accepted in any professional format, such as that described in Dramatists Sourcebook or as described below:

Top, bottom, left, and right, margins set at 1–1.5 inches.
Page numbers appear within the header area of each page.
Character names indented 4 inches.
Opening stage directions indented at least 1.5 inches.
Other stage directions indented 3.5 inches.
Text is best set at 12 point in one of the following fonts: Palatino, Times New Roman, Courier New, or Arial.
Please avoid the use of italics and excessive stage directions.

The following are not considered acceptable:

Screenplays or teleplays submitted as theatrical play
Obvious first drafts
Plays with typos and spelling error
Plays not formatted according to industry standards (see above)
All manuscripts not selected will be recycled. Do not include return postage.

Note: The festival is a script in hand staged reading with minimal props and set pieces, with a different program for each of the three days. Past Pandora festivals have featured 2-3 full length plays, 2-3 one acts and 9-10 ten minute plays. Good luck!

Mail 3 copies of your script postmarked by January 30, 2011 to:

Arizona Women's Theatre Company 6501 E. Greenway Parkway Suite 103, PMB 338 Scottsdale, AZ 85024
For more information email pandora@azwtc.org or call 480 331-3706

Notification: We appreciate the opportunity to consider your work. Our Festival Coordinator screens submissions for eligibility as they are received and at that time acknowledges receipt of submission by email only.

Only playwrights whose works are selected for presentation will be notified of selection. Plays selected for presentation will also be listed on our website. If you have not received notification of selection, see the website at http://www.azwtc.org.

More information here.
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