Showing posts with label usa literature. Show all posts
Showing posts with label usa literature. Show all posts

15 June 2012

Lit Undressed Seeks Work Inspired by "Women in Disguise"

Deadline: 15 August 2012

Lit Undressed is looking for poetry and short-short fiction (maximum of 400 words) inspired by “women in disguise”. Send your work and a 50-word bio to litundressed@yahoo.com by August 15th. Selected pieces will be performed live by nude figure models at the fourth installment of Lit Undressed in fall.

CONTACT INFORMATION:

For queries/ submissions: litundressed@yahoo.com

Website: http://www.facebook.com/LitUndressed
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Call for First-Person Essays from Women - Stepping Up: Stories of Blended Families (paying market: $100 per story | US)

Deadline: 30 September 2012

Samantha Ducloux Waltz is seeking first-person essays from women who are or have been part of stepfamilies that are nurturing places and also stepfamilies where family members must find ways to rise above the challenges they face/d at home. She is looking for a diversity of voices and welcome submissions from a variety of family situations. As an editor she values honesty, clarity, specificity, showing, not telling, tight writing, and the sharing of insights. Pieces should be between 2,000 and 4,000 words in length.

WORKING TITLE: STEPPING UP: Stories of Blended Families

SOME QUESTIONS MIGHT BE CONSIDERED IN YOUR STORY:
  • How did you get into a step situation?
  • Were you initially delighted, devastated, or ?
  • What are/were your greatest joys?
  • What are/were your greatest challenges?
  • How did being part of a stepfamily affect your perception of yourself? Of others?
  • How do you think others perceived you because of your step status?
  • What labels were you comfortable/uncomfortable with?
  • What cultural myths did you have to fight? How did you fight them?
  • Are there things you missed in a stepfamily that a nuclear family might provide? Things you gained?

PAYMENT: $100.00 upon publication and two copies of the published book.

More than half the families in America are living in step. Some work beautifully, but more than 60 % are torn with conflict and will end in dissolution. Parents and children currently living in stepfamilies, or coming from them and making their own way as adults, have stories that will entertain, inform, perhaps trouble but ultimately inspire us.

Submit through Samantha's website. Please include a list of any previous publication credits with your query or submission.

View the full call for submissions at literarymama.

CONTACT INFORMATION:

For submissions: through the editor's website

Website: http://www.pathsofthought.com
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Bloggers/ Stringers Wanted for Major Women's News and Lifestyle Site (pay: $25 per post | telecommute)

An editor at a major women's Internet news and lifestyle site (one of the top four brands on the web in both news and lifestyles) is looking, essentially, for bloggers/stringers in a couple of categories, to write quick-turnaround, reported, sourced daily news posts on women's fashion, beauty and other topics. This is an opportunity for young or inexperienced writers to learn about news reporting, writing, sourcing and other invaluable skills. Payment is a small stipend per post ($25) with opportunities to increase the pay scale if it works out. People who are available for a handful of posts a week are welcomed. The editor is willing to work around your 'day' job.

Candidates should be able to demonstrate enthusiasm for writing with a personal blog, college paper gig or entry-level media experience. Experience with blogging software is a plus. It's a women's site, but men are welcome. Please attach a resume and short cover note if you're interested.

CONTACT INFORMATION:

For queries/ submissions: 6xw7r-3077883572@job.craigslist.org
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14 June 2012

Heiress Productions Playwriting Competition 2012

Deadline: 1 August 2012

Heiress Productions, Inc is a not-for-profit organization committed to raising cancer awareness and funds through entertaining and inspirational professional theater productions.

Heiress Productions is now accepting submissions for its 2012 Playwriting Competition! Here’s how to enter:

Scripts should be full-length and mostly comedic in nature (or with major comedic elements). In addition, the plays should be unpublished and should not have been produced in NYC. Submissions will be accepted through August 1, 2012. The prize for the winning play(s) will be a complete reading in NYC produced by Heiress Productions with the potential of being fully produced at a later date.

For consideration, please send the following materials to scripts@heiressproductions.org -

1. Cover Letter

2. Synopsis

3. Ten (10) representative pages.

These will be the basis for the first round of consideration. Scripts selected to continue will be read in their entirety by the judging panel.

4. Resume of the playwright(s)

CONTACT INFORMATION:

For queries/ submissions: scripts@heiressproductions.org

Website: http://www.heiressproductions.org
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Deadline June 21 | The Drusilla Dunjee Houston Award Graduate Student Essay Prize (for female students of African descent in US/ Canada)

Deadline: 21 June 2012

The ABWH holds an annual Graduate Student Essay Prize competition for an outstanding unpublished essay or thesis chapter on a historical subject of African American and/or Africana women written by a female graduate student of African descent in history. The graduate student must be currently enrolled in an institution of higher learning in the United States and Canada. Deadline: Received by midnight on June 1, 2012.

CALL FOR ENTRIES AND NOMINEES

Sponsored by the Association of Black Women Historians (ABWH) to recognize emerging Black female scholars and foster scholarly research in Africana Women’s history. Each year an award will be given for the best, unpublished original essay from either a graduate course or chapter from a thesis or dissertation for the 2012 award year. The essay must be wholly focused on some aspect of history on Black women from the U.S. and/or the Africana Diaspora. The paper must involve interpretation of primary sources, focus on the ideas or actions initiated among Black women, and make a significant contribution to Africana women’s history. The award will be presented at the 97th Annual ASALH Convention in Pittsburgh, September 26-30, 2012.

Criteria: All entrants or nominees must be current ABWH female members of African descent and currently enrolled in a M.A. or Ph.D program at an institution either in the United States or Canada. Nominations are also accepted from ABWH members who have identified a graduate student writing an exceptional paper or thesis/dissertation chapter.

Prize: A $250 honorarium; a 2013 ABWH membership renewal; a complimentary registration to next year's 2013 ASALH annual meeting and ABWH luncheon; and publication of the winning essay in TRUTH.

Conditions: Submit three copies of the history essay with an Entrant (or Nominee) form attached to each copy; Length: 7000-10000 words (28-40 pages), double-spaced including reference matters (notes, tables, charts, and bibliography). For Graduate Essays include the name of the school, specific course, and instructor's contact information. For Thesis/Dissertation History Chapters include the school's name and anticipated degree completion date. Essays cannot be published works nor be under consideration for publication. For further information, please contact Dr. Peggy Brooks-Bertram at pbertram@gmail.com.

Deadline: The application materials must be submitted by June 1, 2012 by midnight.

Download Drusilla Dunjee Houston Award Nomination Forms ( fill-able pdf )

CONTACT INFORMATION:

For inquiries: pbertram@gmail.com

For submissions: send a copy of the essays and the entry form to each of the three members of the Prize Committee: Dr. Peggy Brooks-Bertram pbertram@gmail.com, Dr. Debra Green GreenD@lincolnu.edu, and Dr. K. V. Mack-Shelton 10845 Sherwood Hill Rd. Owings Mills, MD 21117

Website: http://www.abwh.org
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13 June 2012

Elle Essay Contest: The _____ that Changed my Life

Deadline: 25 June 2012

Calling all ELLE readers who are also writers: You could be published in ELLE’s October 2012 Personal Style issue! We’re looking for essays of 500–750 words in length about a treasured piece from your wardrobe. It’s about more than just a favorite item of clothing, because a cherished dress is never really just a dress: It’s a reflection of where you’ve been, what you’ve accomplished, how you see the world—a reminder of definitive moments in your life.

So here it is: your chance to write a humorous, poignant, heartbreaking, or shocking ode to the clothes that made you who you are today. To enter, simply e-mail your submissions to ElleEssays@hearst.com by June 25, 2012. (Please paste your text in the message window
rather than sending an attached document.)

CONTACT INFORMATION:

For queries/ submissions: ElleEssays@hearst.com

Website: http://www.elle.com/
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09 June 2012

Women's National Book Association's First Annual National Writing Contest

Deadline: 15 September 2012

We will be reviewing submissions for our 1st annual Writing Contest. The Women’s National Book Association is a 90+ year old venerated organization of women and men across the broad spectrum of writing and publishing. Our membership includes Editors, Publishers, Literary Agents, Professors, Academics, Librarians, Authors, Book Marketers and many others involved in the world of books.

After years of celebrating published authors, extraordinary book women (see our WNBA Award under “Awards”) and others in the field, we have decided it is time to celebrate emerging writers.

Please send us only your highest caliber work.

GUIDELINES:

Submission Period: May 1st – September 15th, 2012

Fiction 2,500 word limit – may be a short story, or a stand alone excerpt from a novel in progress.

Poetry: 35 line limit – or one page double spaced

Previously unpublished work only.

Your entry must be uploaded without your name, address, or contact information on the actual document. Your contact information will be collected on a separate form when you submit your entry.

You may submit more than one entry, however, each one must be separately submitted.

Acceptable formats are: Word Document 2007, Word Document 2003 or earlier version, RTF (Rich Text Format)

JUDGES:

Fiction: Valerie Martin. Valerie is an award-winning author (Kafka Prize, Orange Prize) with 9 novels, 3 short story collections, and one biography.

Poetry: Julie Kane, Poet Laureate, Louisiana, 2011-2013. Julie has authored six books, including three collections of poetry, one volume of non-fiction, and two edited anthologies.

ENTRY FEE:

Entry: 3 poems or 1 short story.

WNBA Members: $10 per entry

Non-Members: $15 per entry

Multiple submissions will be accepted.

PRIZE: $250 cash prize and publication in the Bookwoman, the newsletter of the Women’s National Book Association, with 10 chapters nationwide.

CONTACT INFORMATION:

For queries: info@wnba-books.org

For submissions:
via submishmash

Website: http://www.wnba-books.org
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07 June 2012

Deadline June 15 | Call for Stories About Kentucky Women: Her Story 2012

Deadline: 15 June 2012

Kentucky Her Story 2012

Now accepting submissions for a collection of short stories about Kentucky women. A new e-zine journal will be published summer 2012. Authors can be any gender. Stories should be 2,000 – 10,000 words. No exceptions on length, no poetry.

Send one paragraph bio, photo, one sentence describing your story, and your story to parker (dot) owens (at) gmail (dot) com. Digital files only. No payment, no fees. Deadline June 15, 2012. Acceptance notice by August 1, 2012

CONTACT INFORMATION:

For queries/ submissions: parker.owens@gmail.com
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Deadline June 15 | Call for Submissions for Spring/ Summer Issue: MoJo! Journal of Black and African-American Women's Poetry and Flash Memoir

Deadline: 15 June 2012

MoJo!, an online journal of Black and African-American women's poetry, flash memoir, and social commentary, is now reading submissions for the Spring/Summer Issue.

GUIDELINES

Black and African-American women are invited to submit Poetry of any style and on any topic, of fewer than 100 lines (shorter is better). The process of selection is very subjective. The editor is not generally looking for very religius poems, although spirituality is welcome. Please lighten up on the ryhme. Flash Memoir or social commentary of fewer than 1,000 words is also published. Journalism is not accepted. A personal viewpoint is wanted. Profanity, slurs, gratuitous violence and overt sexuality et cetera will not be published.

Feel free to query.

CONTACT INFORMATION:

For inquiries/ submissions: mojoeditor@yahoo.com

Website: http://mapsonehq.wordpress.com/mojo/
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06 June 2012

Job Opening: Editor for Harlequin Non-Fiction (New York)

Deadline:

The Harlequin Nonfiction department has recently expanded and is seeking an Editor to join its editorial team. This position provides an excellent opportunity for a qualified editor to contribute to a growing program.

HARLEQUIN NONFICTION:

Harlequin Nonfiction publishes across a diverse list of categories including health, wellness, cooking, memoir, popular culture, parenting and self-help, as well as companion books to bestselling fiction series by Harlequin authors.

HARLEQUIN:

A Toronto-based company, Harlequin publishes over 110 titles a month in 31 languages in 111 international markets on six continents. These books are written by over 1,200 talented authors worldwide, offering women a broad range of reading from romance to bestseller fiction, from young adult novels to erotic literature, from nonfiction to fantasy, from African-American novels to inspirational romance, and more.

MAJOR ACCOUNTABILITIES:

• Performing all editorial functions including reading and evaluating proposals, providing revisions to authors and line editing.
• Working closely with marketing and art departments to ensure key selling features are reflected in the positioning and packaging of all titles.
• Managing and developing author base to ensure correct editorial fit and to elicit the highest quality of writing. Maintaining positive relationships with agents.

QUALIFICATIONS, SKILLS AND COMPETENCIES:

• Undergraduate Degree
• 4+ years of experience in publishing
• Specific experience acquiring and editing prescriptive and narrative nonfiction titles
• Strong agent contacts
• Ability to effectively analyze and shape projects for the marketplace
• Strong communication and negotiation skills

LOCATION: New York, New York (Near City Hall)

Email your cover letter, updated résumé and salary requirements to NYResumes@Harlequin.ca. In the subject line note "Editor - Nonfiction".

CONTACT INFORMATION:

For queries/ submissions: NYResumes@Harlequin.ca

Website: http://www.harlequin.com/
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05 June 2012

3Girls Theatre 10-Minute Play Contest (for Bay Area women playwrights)

Deadline: 31 August 2012

3Girls Theatre is thrilled to announce our 3GT Holiday Showcase: “3Girls Squared: 9 Short Plays For the Holidays That Put The Fun in DysFUNction!” Hey, its funny when it’s not your family, right?…This twist on holiday love and togetherness features 10 performances of 8 new short plays by both our resident and associate playwrights AND DRUM ROLL PLEASE - a ninths play (the “Square”) to be selected from submissions from Bay Area women playwrights.

3Girls Squared plays at the Phoenix Theatre (Mason and Geary) December 6-9 and 13-16, 2012. We’re excited to be in the heart of downtown San Francisco for all the holiday festivities!

CONTEST RULES

The contest opens June 15 and closes August 31st at Midnight PST. No scripts accepted after deadline. Send scripts to 3GT Literary Director Lee Brady (lee@3girlstheatre.org) with subject line “Holiday Showcase Submission”.

ALL SUBMISSIONS MUST MEET THE FOLLOWING REQUIREMENTS
  • Writer must be a woman currently residing in the SF Bay Area
  • No more than 10 minutes (approximately 10 pages)
  • Theme: Putting The Fun In Dysfunction Over The Holidays
  • 2 Characters maximum
  • Blind submissions (electronic) only: No name or contact info on script. Please include 2 cover pages, as follows: 1 cover page with title, name & contact info, 1 cover page with title, summary, tagline & character list

The winner will be announced on OCTOBER 15, 2012 and will receive a full production of her play as part of 3Girls Squared at the Phoenix Theatre – Downtown San Francisco in December 2012.

Submissions cannot be returned. 3GT disclaims all liability for submissions entered in the contest. Please make sure to keep copies of your work!

Download: script format

CONTACT INFORMATION:

For queries/ submissions: lee@3girlstheatre.org

Website: http://3girlstheatre.org
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04 June 2012

Call for Submissions of Short Works: SLUT Festival of Staged Reading (USA only)

Deadline: 31 July 2012

From Kathleen Alvania, Artistic Director of The Disreputables: "My theatre company is seeking submissions of short works for a staged reading festival that will run just before the presidential election this fall. There is no fee to submit and the call is open to all U.S. playwrights. The full call is attached."

CALL FOR SUBMISSIONS

The Disreputables are now accepting submissions of short works for SLUT, a festival of staged readings and discussions inspired by the political climate of 2012 - in particular, the string of controversial legislation (dubbed the “War on Women”) which serves to hinder a woman’s right to privacy, choice, and safety. SLUT is the first installment of the UNmute! Reading Series, a season-long project aimed at raising the volume on stifled voices. We are seeking original plays, musicals, and monologues from 1-30 minutes in length. SLUT will be presented in the Washington, DC metropolitan area in October 2012.

All submissions will be accepted via email, and must be accompanied by a cover page containing a brief synopsis and professional bio. Please visit http://www.disreputables.org for full guidelines. No submissions will be accepted in hard copy form, with the exception of short musicals presented with an accompanying CD. We are not accepting translations or adaptations. Only one submission per writer is allowed. All plays must be submitted in a single document, formatted in Microsoft Word or Adobe Acrobat. All scripts must include
 page numbers.

Submissions are open to all writers in the United States, with or
 without representation. For playwrights represented by credited agents or managers, we prefer
 that you submit your work through your representation. To ensure your script is accepted, we encourage you to submit your work as early as possible. The submission period ends July 31, 2012.

GUIDELINES

All submissions will be accepted via email to disreputables.theatre@gmail.com, and must be accompanied by a cover page containing a brief synopsis and professional bio.

Please try to send all documents as .pdf files, as we find this preserves pagination and formatting in the manner you intended. If that is not possible, then .doc files will suffice. If you are working on a Mac Platform, and not sending a .pdf, please make sure the documents can be opened in a PC environment.

Submitted musicals must be accompanied by a recording, whether attached mp3 or cd version. Sheet music is an acceptable alternative if necessary, but a recording is highly recommended.

No submissions will be accepted in hard copy form, with the exception of short musicals presented with an accompanying CD. These can be mailed to:

The Disreputables
Attn: Submissions Dept
405 Hume Ave
Alexandria, VA 22301

We are not accepting translations or adaptations.

Only one submission per writer is allowed.

All plays must be
 submitted in a single document, formatted in Microsoft Word or Adobe Acrobat.

All scripts must include
 page numbers.

Submissions are open to all writers in the United States, with or 
without representation. For playwrights represented by credited agents or managers, we prefer
 that you submit your work through your representation.

To ensure your
 script is accepted, we encourage you to submit your work as early as 
possible. The submission period ends July 31, 2012.

CONTACT INFORMATION:

For queries/ submissions: disreputables.theatre@gmail.com

Website: http://www.disreputables.org
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Money for Women/ Barbara Deming Memorial Fund ($500-$1500 grant | fiction/ non-fiction/ poetry projects | USA/ Canada only)

Deadline: 30 June 2012, 31 December 2012

Money for Women is the oldest ongoing feminist granting agency. After Barbara’s Deming’s death in 1984, we became a memorial fund. While other grant sources have come and gone, our fund is in its third decade. We are still feminist and still willing to take risks. The foundation gives encouragement and grants to individual feminists in the arts (writers, and visual artists). The Fund relies on a volunteer Board and judges to collaborate in making awards.

WHO MAY APPLY?

Citizens of the United States and Canada with primary residence in these countries.

DEADLINES?

June 30th for Nonfiction and Poetry December 31st for Fiction, Visual Art and Mixed Genre (We do not accept electronic applications.)

WE AWARD

Small artist support grants ($500 – 1500) to individual feminist women in the arts whose work in some way focuses on women.

WE DO NOT FUND:

Theater, playscripts, videos, work which is or will be self-published. We do not give loans or provide money for educational assistance, work on dissertations or research (except research to be used in writing a book). We do not provide funds for the cost of editing services, business projects, or emergency money for people in need. We rarely give money to groups. Those who have applied for a grant previously must wait two years before reapplying to the fund. Former grantees must wait five years before reapplying.

WE ARE INTERESTED

in funding projects which you have begun or which are well underway and for which you have work to show. We request that the majority of your submitted materials be related to and part of this project. (see the Award Notes for examples of recently funded projects) Please take time to download and read the guidelines and application form carefully. Submissions which do not include the required documents in the requested order may be refused. We do not accept electronic applications -- all materials must be mailed by USPS. Please mail applications only in the months of December and June. Applications with a late postmark will be refused at the post office & returned to you. You will be notified about the grant decision approximately five months after the deadline date.

APPLICATION REQUIREMENTS: READ VERY CAREFULLY

1. Processing fee: a check drawn on US funds, or money order for $ 20.00 made out to “The Money for Women Fund.” Canadian applicants please read specific instructions on reverse.

2. Three identical sets of materials (except for visual art) collated in the order outlined below, securely clipped or clamped (not bound). Submissions which do not meet these requirements will be rejected. Each of the three sets should contain the following in this order:

- A completed application form. Fill in all blanks as requested.

- A project description: On a separate page, describe the nature of your project and your hopes and expectations for it. Have you done previous work of this sort or pursued special training?
A budget : Tell us about the financial status of your project. How will the grant money be spent? Have you applied to other funds? (Specify) How much money have you raised so far? How much more do you need. The Board rarely gives money at the start of a big project. Apply midway through your project when you have something to show us and when most funds have been secured.

- Your résumé (TWO pages only, include major publications if applicable)

- Work Samples: (15 to 20 pages) This is the heart of your application. The Board wants to see samples of the work for which you are currently seeking funds. Do not send work from previous projects. Be sure each page has your name on it. We will handle your application and work samples with great care, however we cannot be responsible for items lost or damaged in the mail.
  • Writers and Mixed Genre: Three sets required. Fiction, Nonfiction: no smaller than 11 point type, doublespaced; Poetry and Mixed Genre may be spaced as you choose, all MSS. -- no more than 20 typed pages per set.
  • Do not submit photocopies from literary journals or books. We do not return writing samples or mixed genre submissions, do not include an SASE. You may include a self-addressed stamped postcard for notification of application receipt. Mixed Genre may be any combination of visual and textual elements; three collated sets, 20 pages max. and non-returnable.
  • No tapes, videos, CD’s or slides will be accepted for this category.

4. Art: CD, marked with your full name, that can be read by Mac operating systems. Slideshows and PowerPoint presentations are not accepted. Do not send more images as only four will be shown to jury. You may include as a fifth Word attachment, a list of images, dimensions and media for each of the four JPEGS. Each JPEG may be no larger than 1600 pix in any direction. The image resolution must be between 72 and 100 dpi. Each file must be less than 1MB and labeled with the applicant’s last name followed by a period, first initial, underscore and number, for example SMITH.J_1.JPG, SMITH.J_2.JPG. Please send your CD in a paper envelope. Application materials become the property of the fund; do not include an SASE as materials will not be returned.

5. An extra copy of your Application form for the office.

Download: application form for non-fiction/ poetry, for fiction

CONTACT INFORMATION:

For queries: demingfund@gmail.com

For submissions: Money for Women/ Barbara Deming Memorial Fund, Inc., P.O. Box 309, Wilton, NH 03086

Website: http://demingfund.org
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03 June 2012

Native American Women's Poetry Workshop (Malinalli Press | California)

Date: 16 June 2012 (2pm - 5pm)

Malinalli Press, a Native woman owned and operated press, publishes creative work by established and emerging indigenous writers and artists from Abya Yala. (Est. 2009). This is the first Poetry Workshop hosted by Malinalli Press.

VENUE: Private Residence, Oakland, CA (address upon registration)

COST: $60

* Space limited to 8-10 participants per workshop.

* Writers who attend one session, (4) workshops, will receive a certificate.

* 1-2 full scholarships available per workshop; possibly more dependent on sponsorships.

* Following registration, participants will receive confirmation and workshop information by email.

* Policy: All on-line sales are final.

WORKSHOP INSTRUCTOR, FACILITATOR:

Mica Valdez (Mexica) is the editor and publisher of the on-line journal Indigenous Voices and Turtle Island to Abya Yala, Malinalli Press. In 2009, she was awarded an American Indian Artists Residency at the Montana Artists Refuge to work on her poetry manuscript "Love and the Lost Nation." Mica's poetry has been published in Red Ink Magazine, Other Tongues: Mixed Race Women Speak Out, Kweli Journal, The Womanist, Mujeres de Maiz (Women of Corn), and Generations Literary Journal, among others. She received an M.F.A in Creative Writing with an emphasis in Poetry from Mills College in 2010. Her very first teaching experience was as a Creative Writing Instructor for middle school students in 1997. Currently, she teaches at a university and for Malinalli Press.

Link: reservation

CONTACT INFORMATION:

Website: http://malinallipress.blogspot.com
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Freelance Writer/ Producer Wanted for Style Network (Los Angeles)

The Style Network is the destination for women 18-49 with a passion for the best in relatable, inspiring and transformational lifestyle programming. Style currently counts 75 million cable and satellite subscribers and is the fastest growing women’s network in the U.S. Mystyle.com keeps women up-to-date on all of the latest fashion and beauty news on the web. Style’s popular series include “Tia & Tamera,” “Jerseylicious,” “Giuliana & Bill,” “Glam Fairy,” “Big Rich Texas,” “How Do I Look?,” “Clean House New York” and “The Amandas.” The Style Network is a network of NBCUniversal Entertainment & Digital Networks and Integrated Media, a division of NBCUniversal, one of the world's leading media and entertainment companies in the development, production, and marketing of entertainment, news, and information to a global audience.

JOB PURPOSE:

This freelance Writer/Producer will conceptualize, write and produce on-air promotional spots for Style Network.

RESPONSIBILITIES MAY INCLUDE:

Oversee all aspects of pre and post production, from concept to final delivery of spots:
  • Schedule and track edit sessions
  • Direct VO talent
  • Develop/integrate graphics
  • Select music and maintain cue sheets

Oversee occasional shoots for promotional purposes.

Meet promo air dates and deadlines.

Maintain On-Air Promotion databases and perform other administrative duties.

Other duties as assigned and needed.

BASIC QUALIFICATIONS:

Minimum 3 years experience in writing /producing on air promotional spots.

DESIRED CHARACTERISTICS:
  • Must be a true "creative", capable of generating numerous ideas for both conceptual and clip driven spots.
  • Must be passionate about fashion, beauty, home design and the overall lifestyle category.
  • Strong communication, organizational and project management skills
  • Thorough understanding of both pre/ post production process
  • Proven ability to thrive in a fast paced, high volume, deadline-driven environment.
  • Ability to work independently and as part of a larger team.
  • Understanding of Style Network brand and audience.

CONTACT INFORMATION:

For submissions: apply via E! Entertainment's career site here

Website: http://www.mystyle.com/
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02 June 2012

Magazine Guidelines: Baby Talk (pay: $1.50 per word)

Overheard at getpublishedparentingmags: BabyTalk now pays a buck fifty per word. But they only use 2 or 3 stories per issue.

BabyTalk is the one baby magazine that tells it like it is, helping women navigate the emotional roller coaster and practical realities of being a new mom. BabyTalk provides straight talk for new moms through three cornerstones:

1. Focus — on what she needs here and now

2. Practicality — emphasis on what really works for her life and her baby

3. Small Victories — helping her attain and celebrate those key milestones.

BabyTalk magazine serves as a manual for parents in their day-to-day experiences with new parenthood. Features cover marriage and sex, pregnancy, baby care basics, toddler/infant health, how-tos, growth and development, toys/equipment, and work/day cares. Query with clips.

Find more details at getpublishedparentingmags or read Parenting.com's guidelines for writers here.

CONTACT INFORMATION:

For queries: letters@babytalk.com

For submissions:
530 Fifth Avenue, 4th Floor, New York, NY 10036

Website: http://www.parenting.com/Babytalk
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Applications Deadline Extended: Volunteer Writing Mentor for Girls Write Now

Deadline: 15 June 2012

Professional women writers: share your craft with an aspiring teen writer! Be a volunteer writing mentor for a high school girl.

GIRLS WRITE NOW needs you! We are a community of women writers--educators, editors, poets, novelists, playwrights, journalists, publishers, and more--on a mission. Since 1998, we have provided guidance, support, and opportunities for the next generation of women writers in New York City. With mentors like YOU by their sides, high school girls develop their creative independent voices, explore careers in professional writing, and learn how to make healthy choices in school, career, and life.

Check out this short video to get a taste of who we are and what we do.

Join us for our 2012-2013 season!

GIRLS WRITE NOW IS SEEKING PASSIONATE WRITERS, TEACHERS & LEADERS WHO ARE:
  • Equipped with at least two years of professional writing experience.
  • Dedicated to guiding the artistic, academic, and professional aspirations of young women.
  • Eager to contribute their unique skills to the Girls Write Now community.
  • Ready to commit to weekly one-to-one mentoring sessions, monthly writing workshops, special events, and participation on one program planning committee from September 2012 to June 2013.

HOW TO APPLY:
  • Download and complete the Girls Write Now Mentor Application at www.girlswritenow.org/gwn/join/mentors.
  • Email: 1) the Girls Write Now Mentor Application; 2) your resume; and 3) two writing samples (max. 8 pages total) to enrollment@girlswritenow.org by June 15, 2012. (Writing samples can be any genre; they do not need to be published creative writing.) Early applications are strongly encouraged.
  • Qualified applicants will be invited to an individual, in-person interview.

CONTACT INFORMATION:

For queries: e-mail Heather at enrollment@girlswritenow.org

For submissions: via the mentor application form

Website: http://www.girlswritenow.org
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31 May 2012

Humorous/ Critical Writers Wanted for African-American Women's Website (pay: $35 per slideshow | telecommute)

A Black women's website is looking for writers with a critical eye and a humorous bent to pen slideshows and essays. Slideshows require finding photos and writing 6-8 paragraphs. Pay is $35 per slideshow. You should be familiar with popular culture and especially African American popular culture.

All interested candidates should email a resume, cover-letter and two writing samples to the above email address. Make sure to include WRITER in the subject line.

CONTACT INFORMATION:

For queries/ submissions: dtxqb-3049708505@job.craigslist.org
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Call for Contributions for an Edited Collection - Playing with Dolls: Women and the Work of Todd Haynes

Deadline: 31 July 2012

We seek contributors to an edited collection which explores the specific role of women in, on, and behind the film and video work of Todd Haynes. Female characters and women’s genres from classical Hollywood, as well as feminist film scholars, women directors, film industry professionals, actors, and female fans have all influenced and shaped his creative work. Our collection hopes to produce new scholarship on the subject of feminism, women and Todd Haynes.

Existing scholarship on this important independent filmmaker tends to focus on queer readings and contexts, in accordance with his prominent role in the New Queer Cinema of the 1990s. Yet, Haynes himself has explicitly acknowledged the influences of women on his work as well as the feminist themes running through his films, and his sustained body of work over the last two decades reflects an ongoing engagement with women’s issues and the cinematic representation of gender generally, exemplified in his recent return to the classic woman’s film. We believe that the feminist concerns evident throughout Haynes’ career, from his early work, beginning with Superstar: The Karen Carpenter Story (1987), to his most recent reinvention of the maternal melodrama, Mildred Pierce (2011, seventeen Emmy nominations, five wins), merit further research and scholarly investigation.

In all his films, Haynes pushes us to question and disrupt fixed notions about aesthetics, affect, sexuality, and, we argue, their constitutive relationship to gender. His female characters are often placed in the center of coalitions and conflicts among queer men, people of color, and the wider society in which they are located, yet they always retain their own gendered struggles with identity and embodiment. His women are political actors in their own right with crucial alliances with other marginalized subjects. Although chapters on each film are expected, the second half of the book will include chapters on the influential women in Haynes’ life, education, and work. Suggested topics include, but are not limited to:
  • feminist analyses of specific Haynes works, particularly Poison, Dottie Gets Spanked, Far From Heaven, I’m Not There and Mildred Pierce
  • textual analyses of the figure of woman in the works of Todd Haynes
  • specific feminist issues in the films, such as anorexia, fame and gender, motherhood, domesticity and other gendered spaces, fashion, gender performance

We also seek chapters on women who have played important roles in Haynes's career:
  • gender and genre: Haynes’ reinventing the woman’s film; domestic melodrama; women & the musical / literary adaptation / made-for-television movie / biopic
  • women film critics and scholars: Doane, Taubin, Rich
  • female characters in influential films by other directors: Ophuls, Sirk, Fassbinder, Arzner, Deren
  • intertextual citations of feminist filmmaking: Friedrich, Akerman, Mulvey, Rainer, Gorris, Duras
  • production / collaboration with women in the film industry: Schneider, Vachon, Reichardt
  • actors / muses: Moore, Winslet
  • women in popular culture: television, media, music
  • fans: slash fiction, online fansites

Please submit 350-500 word abstracts with a short bio to the editors by July 31

CONTACT INFORMATION:

For queries/ submissions: gellertl@grinnell.edu
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30 May 2012

Free to Apply: Oregon Women Writers Fellowship 2013

Deadline: 29 June 2012

Oregon Literary Fellowships help Oregon writers initiate, develop or complete literary projects in poetry, fiction, literary nonfiction, drama and young readers literature. Writers in the early stages of their career are encouraged to apply. The fellowships also support Oregon’s independent publishers and small presses. They are awarded to presses or magazines that demonstrate a commitment to literary publishing in the areas of poetry, fiction, literary nonfiction, drama and young readers literature.

The Women Writers Fellowship is a special, privately endowed fund of Literary Arts, intended to help Oregon women writers initiate, develop or complete a literary project in the areas of poetry, fiction, literary nonfiction, drama and young readers literature.

The Women Writers Fellowship is made possible through the generosity of the Ralph L. Smith Foundation. The goal of the grant-makers is to promote perspectives traditionally not well represented in literature, such as work by women whose writing explores race, ethnicity, class, physical disability and/or sexual orientation.

ELIGIBILITY REQUIREMENTS

• Recipients must be current, full-time Oregon residents, both at the time of application and at receipt of award.

• Those who have received an Oregon Literary Fellowship in the last five years are ineligible. This means that for 2013, if a writer has received an Oregon Literary Fellowship for 2012, 2011, 2010, 2009 or 2008, they are ineligible to apply.

• One application per person per year will be accepted.

• Female applicants may choose to be considered for the Women Writers Fellowship (addendum to application required). These applicants may receive one or the other, but not both fellowships.

• For writers fellowships, work authored by more than one person is ineligible.

• Current Literary Arts staff, trustees or advisory committee members are precluded from consideration; Applications by former Literary Arts staff, trustees or committee members may be considered, provided that the staff, trustee or committee member resigned from their position at Literary Arts at least six months before the earliest submission date.

IMPORTANT DATES

Applications will be accepted from March 26, 2012, until 5 p.m. on Friday, June 29, 2012. This is not a postmark deadline; late entries will not be accepted. Receipt of application will be acknowledged if SASE is enclosed. All applicants will be notified of final results no later than February 15, 2013.

SELECTION PROCESS

Applications will be reviewed by a panel of out-of-state judges, except for young readers literature and drama, which each have a single judge. The main criterion will be literary merit. It is up to the applicant to decide which genre to submit their work in.

AWARD INFORMATION

The amount, number and categories of fellowships will be determined from the quality and quantity of applications, and the availability of funds. Literary Arts is prohibited from awarding any fellowship in violation of Internal Revenue Code Section 501(c)(3). No part of a grant may be used for propaganda or to influence legislation. No funds will be given for a political campaign or on behalf of any candidate for public office.

SUBMISSION REQUIREMENTS—POETRY, FICTION, OR NONFICTION

Please include the following items in your fellowship application (collated; see below):

• Three copies of the Fellowship to Writers application form.
• Three copies of Women Writers Fellowship addendum (optional).
• Three copies of a sample of work consisting of one of the following: 15 typed pages of poetry, no more than one poem per page, or one narrative poem or section thereof not to exceed 15 pages in length.
• Not more than 25 typed, double-spaced pages (12-point text) of prose.

SUBMISSION REQUIREMENTS—DRAMA

Please include the following items in your fellowship application (collated; see below):

• Two copies of the Fellowship to Writers application form.
• Two copies of Women Writers Fellowship addendum (optional).
• Two copies of a sample of work copies of a sample of work consisting of not more than 25 pages of script-format drama.
• SASE for acknowledgment of receipt of the application (optional).

SUBMISSION REQUIREMENTS—YOUNG READERS LITERATURE

Please include the following items in your fellowship application (collated; see below):

• Two copies of the Fellowship to Writers application form.
• Two copies of Women Writers Fellowship addendum (optional).
• Two copies of a sample of work copies of a sample of work consisting of one of the following: 15 typed pages of poetry, no more than one poem per page, or one narrative poem or section thereof not to exceed 15 pages in length.
• Not more than 25 typed, double-spaced pages (12-point text) of prose.
• SASE for acknowledgment of receipt of the application (optional).

SUBMISSION REQUIREMENTS—ALL APPLICANTS

• Please paginate the work sample, with your name on each page (may be handwritten).

• Copy onto white, 8-1/2” x 11” paper.

• Collate into sets:
  • Application
  • Optional Women Writers Fellowship addendum
  • Work sample
• Secure with a staple or paper clip. Do not bind the sets in any other manner, such as in
folders or report covers.

Photocopies of published pages are not acceptable. Illustrations, aside from minor ones within manuscript text, are not allowed. A computer-generated reproduction of the application form is permissible, if the space allowed for responses does not exceed those listed here.

Please follow these submission guidelines carefully; improperly submitted applications may not be forwarded to the judges. Do not submit application materials in excess of those requested. Application materials will not be returned and are recycled after the judges have made their decisions.

REPORT FROM FELLOWSHIP RECIPIENTS

Literary Arts asks that each recipient, within one year of receiving the fellowship, submit a brief, written report regarding the use of funds. In addition, recipients are asked to acknowledge Literary Arts in any publications which fellowship funds assisted, and to provide a copy for Literary Arts’ permanent collection.

THE OREGON BOOK AWARDS & FELLOWSHIPS IS A PROGRAM OF LITERARY ARTS

Oregonians are passionate about books. And ideas, and great writing. Literary Arts shares this passion. Our mission is to engage readers, support writers and inspire the next generation with great literature. The programs of Literary Arts include: Writers in the Schools, Oregon Book Awards & Fellowships, Portland Arts & Lectures and Delve: Readers' Seminars.

Download: application form

CONTACT INFORMATION:

For queries: la@literary-arts.org

For submissions:
submit your application to Literary Arts, Attn: Oregon Literary Fellowships, 925 SW WASHINGTON, Portland, OR 97205

Website: http://www.literary-arts.org
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