Showing posts with label call for papers. Show all posts
Showing posts with label call for papers. Show all posts

23 May 2012

Call for Papers: Contemporary Black British Women's Poetry (NeMLA, Boston)

The Contemporary Black British Women's Poetry Panel at NeMLA 2013 in Boston seeks papers examining the poetry of black British women. This can include women writers either born in Britain or who have spent a major part of their lives in Britain. The topics of the panel include, but are not limited to : history, identity, memory, the body, nature, religion, motherhood, relationships, music and song, place, belonging and home, hybridity, language and form, creole. Please send 300-500 word abstracts and brief biographical statements to sheree.mack@gmail.com.

CONTACT INFORMATION:

For inquiries/ submissions: sheree.mack@gmail.com

Website: http://nemla.org/convention/2013/index.html
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20 May 2012

Call for Papers: Re-visiting the “Nation” in Contemporary Narratives by American Women of Color (NeMLA Convention, Massachusets)

Deadline: 30 September 2012

This panel seeks papers that address the political-economic engagement of the U.S. with different parts of the world that has re-nuanced definitions of Americanness/nationhood/ national belongings in narratives by American women of color from the Caribbean Islands, Latin America, South Asia, and the Middle East. The panel encourages comparativist approaches that read together two or more texts to chime on the possibilities of understanding the notion of the nation as a relational concept.

Please send 500 word abstract to dmgomaa@uwm.

Please include with your abstract:
  • Name and Affiliation
  • Email address
  • Postal address
  • Telephone number
  • A/V requirements (if any; $10 handling fee with registration)

CONTACT INFORMATION:

For enquiries/ submissions: dmgomaa@uwm

Website: http://www.nemla.org/
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29 April 2012

Deadline May 6 | Call for Proposals - Siren: A Conference on Women in Fantasy Literature

Deadline: 6 May 2012

CALL FOR PROPOSALS: Sirens

Stevenson, WA

October 11-14, 2012

A conference on women in fantasy literature presented by Narrate Conferences, Inc.

Sirens, a conference focused on literary contributions by women to the fantasy genre and on fantasy works with prominent female characters, will take place October 11–14, 2012, in Stevenson, Washington, near Portland, Oregon. The conference seeks papers, panels, interactive workshops, roundtable discussions, and other presentations suitable for an audience of academics, professionals, educators, librarians, authors, and fantasy readers.

The theme for 2012 is "tales retold," and presenters are invited to explore fantasy based on extant stories. Programming prompted by the theme is encouraged; presenters are not limited to this theme, however, and proposals that address specific aspects of a work or series, works related by other themes, and studies of the fantasy genre across all disciplines are encouraged as well. A non-exhaustive list of sample topics includes literary analyses of novels; studies of genre history; use of fantasy works in schools and libraries for education; examination of related business and legal issues; media and fan studies; craft-based workshops in writing, art, and publishing; and overviews of how fantasy works fit into larger contexts.

Presentation submission to the vetting board is by online system only. No other format or contact will be considered. The online submission system is located at http://www.sirensconference.org/submissions/.

The deadline for proposals is May 6, 2012, and notices regarding proposals will be sent no later than June 2, 2012. Those requiring an early decision in order to obtain travel funding should contact the programming coordinator at (programming at sirensconference.org).

At the time of proposal submission, presenters must provide an abstract of 300-500 words, a 50-100 word presentation summary for publication, and a presenter biography of no more than 100 words. Those wishing to submit a proposal for an interactive roundtable discussion may submit a brief explanation of a topic and a list of 10-15 sample discussion questions in lieu of a formal abstract; workshop proposals may be formatted as lesson plans. Afternoon classes—interactive demonstrations of interest to fantasy readers that may be less formally related to the theme—may also be presented as lesson plans. Presenters must be available to attend the conference in its entirety; no partial or day registrations will be offered.

Conference papers will be collected for publication at a later date. Presenters must be registered for the conference no later than July 1, 2012. For more information about programming, the review process, suggested timing and structure of presentations, audio-visual availability, and proposal submissions, please see the Sirens website at http://www.sirensconference.org/programming/. Questions specifically about programming may be directed to (programming at sirensconference.org), and general conference inquiries may be sent to (help at sirensconference.org).

Sirens is a presentation of Narrate Conferences, Inc., a 501(c)(3) charitable organization with the mission of organizing academic, literary, and exploratory educational conferences that address themes of interest to scholars, educators, students, professionals, and readers. For inquiries about Narrate Conferences, Inc., please write to (info at narrateconferences.org).

CONTACT INFORMATION:

For inquiries: help@narrateconferences.org

For submissions: send proposals online here

Website: http://www.sirensconference.org
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14 April 2012

Call for Papers - Sylvia Plath Symposium 2012: The October Poems

Deadline: 1 July 2012

The Department of English at Indiana University Bloomington is accepting papers for the Sylvia Plath Symposium 2012: The October Poems. This interdisciplinary event to be held on the Bloomington campus runs from Thursday through Sunday, October 25-28.

While topics on any aspect of Plath’s work are welcome, featured speakers and artists will respond to what Plath called “the best poems of my life” – including “Daddy,” “Lady Lazarus,” “Ariel,” “Fever 103°” and the Bee Sequence poems.

Day one of the Symposium focuses on the phenomenon of inspiration and the creative imagination, and literary panels will take place on Friday and Saturday. Papers should be 15-20 minutes. Please submit an abstract of 250-300 words to plath70 (at) indiana.edu. Deadline is July 1, but earlier submissions are encouraged, especially for international scholars.

CONTACT INFORMATION:

For inquiries: kdconnor@indiana.edu

For submissions: send abstracts to kdconnor@indiana.edu
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11 April 2012

Call for Papers - Memsahib Memoirs: Women Writing the Raj (SAMLA 2012 panel, North Carolina)

Deadline: 1 June 2012

Women occupied a unique social space in colonial India. Unlike British men, they did not make political decisions, build roads and bridges, or serve in the army. They were instead expected to manage the household and support their husbands in whatever way was needed to contribute to the maintenance of a smoothly-working imperial project. However, there were many British "memsahibs" who took their observations of empire a step further. Unburdened from the daily political and administrative pressures of running a colony the size of India and having more time to spend at leisure, socializing with other women and encountering Indian natives in the local markets and bazaars, many British women communicated these first-hand observations in a body of literature that has been undervalued by scholars who generally dismiss them as "lady romancers," while ignoring what their works can tell us about how the British saw themselves and those they colonized.

In keeping with the SAMLA 2012 convention theme, "Text as Memoir: Tales of Travel, Immigration, and Exile," this special session seeks to examine how these "lady romancers" can also be read as cultural commentators. What do their works tell us about the colonial presence in India? How did their observations of native peoples and landscape differ from traditional male narratives? In what ways do their personal reminiscences complicate the "official" history of the British in India? How can we read their work through the lens of postcolonial theory? Possible topics include subversive elements in Anglo-Indian popular romances, memoirs as cultural/political statements on the British presence in India, women’s travel narratives while journeying across the subcontinent, and housekeeping guides as cultural artifacts. Contributions that highlight the wide-range of women's writing during the Raj period, from memoirs and personal journals to periodical publications and fictional works are welcome.

CONTACT INFORMATION:

For inquiries: edmundrm@mailbox.sc.edu

For submissions: send an abstract of no more than 500 words, along with a short c.v. (including contact information) to Melissa Makala, University of South Carolina, at edmundrm@mailbox.sc.edu

Website: http://samla.gsu.edu/
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10 April 2012

Call for Papers: Gendered Immigration in Pre-20th Century German Literature and Culture (Women in German Conference, PA)

Deadline: 15 April 2012

Please see the following CfP for the 2012 Women in German Conference (Oct. 25-28, Shawnee Inn and Golf Resort, Shawnee on Delaware, PA). The deadline has been extended to April 15.

Gendered Immigration in Pre-20th Century German Literature and Culture

This panel will investigate representations of immigration to and emigration from Germany in the pre-20th century period. While much research has investigated German encounters with the other on foreign soil through travel, this panel instead explores the implications of permanent relocation and its effects on national, racial, ethnic, religious, and gender identities inside and outside of Germany.

Topics include:
  • women and gender in German colonialism
  • emigration to the United States
  • becoming German/losing Germanness
  • German women in exile/Germany as home to exiled women
  • "hybrid" German-x identities

CONTACT INFORMATION:

For submissions: submit 200-250-word abstracts by April 15, 2012 to Maureen Gallagher (mogallag(AT)german.umass.edu) and Ulrike Brisson (ubrisson(AT)wpi.edu)
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03 April 2012

Call for Proposals - Siren: A Conference on Women in Fantasy Literature

Deadline: 6 May 2012

CALL FOR PROPOSALS: Sirens

Stevenson, WA

October 11-14, 2012

A conference on women in fantasy literature presented by Narrate Conferences, Inc.

Sirens, a conference focused on literary contributions by women to the fantasy genre and on fantasy works with prominent female characters, will take place October 11–14, 2012, in Stevenson, Washington, near Portland, Oregon. The conference seeks papers, panels, interactive workshops, roundtable discussions, and other presentations suitable for an audience of academics, professionals, educators, librarians, authors, and fantasy readers.

The theme for 2012 is "tales retold," and presenters are invited to explore fantasy based on extant stories. Programming prompted by the theme is encouraged; presenters are not limited to this theme, however, and proposals that address specific aspects of a work or series, works related by other themes, and studies of the fantasy genre across all disciplines are encouraged as well. A non-exhaustive list of sample topics includes literary analyses of novels; studies of genre history; use of fantasy works in schools and libraries for education; examination of related business and legal issues; media and fan studies; craft-based workshops in writing, art, and publishing; and overviews of how fantasy works fit into larger contexts.

Presentation submission to the vetting board is by online system only. No other format or contact will be considered. The online submission system is located at http://www.sirensconference.org/submissions/.

The deadline for proposals is May 6, 2012, and notices regarding proposals will be sent no later than June 2, 2012. Those requiring an early decision in order to obtain travel funding should contact the programming coordinator at (programming at sirensconference.org).

At the time of proposal submission, presenters must provide an abstract of 300-500 words, a 50-100 word presentation summary for publication, and a presenter biography of no more than 100 words. Those wishing to submit a proposal for an interactive roundtable discussion may submit a brief explanation of a topic and a list of 10-15 sample discussion questions in lieu of a formal abstract; workshop proposals may be formatted as lesson plans. Afternoon classes—interactive demonstrations of interest to fantasy readers that may be less formally related to the theme—may also be presented as lesson plans. Presenters must be available to attend the conference in its entirety; no partial or day registrations will be offered.

Conference papers will be collected for publication at a later date. Presenters must be registered for the conference no later than July 1, 2012. For more information about programming, the review process, suggested timing and structure of presentations, audio-visual availability, and proposal submissions, please see the Sirens website at http://www.sirensconference.org/programming/. Questions specifically about programming may be directed to (programming at sirensconference.org), and general conference inquiries may be sent to (help at sirensconference.org).

Sirens is a presentation of Narrate Conferences, Inc., a 501(c)(3) charitable organization with the mission of organizing academic, literary, and exploratory educational conferences that address themes of interest to scholars, educators, students, professionals, and readers. For inquiries about Narrate Conferences, Inc., please write to (info at narrateconferences.org).

CONTACT INFORMATION:

For inquiries: help@narrateconferences.org

For submissions: send proposals online here

Website: http://www.sirensconference.org
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31 March 2012

Call for Papers: Mythic, Magical & Monstrous Women in Contemporary Women’s Writing (Leicester)

Deadline: 6 April 2012

Mythic, Magical & Monstrous Women in Contemporary Women’s Writing

A half day symposium at the University of Leicester, Wednesday 20th June 2012

Keynote Speaker: Dr Becky Munford

From Angela Carter’s subversive fairytales in The Bloody Chamber (1979) to Michele Roberts’ monstrous bodies, from Ali Smith’s mythic rewriting in Girl Meets Boy (2007) to A.S. Byatt’s metamorphic monsters, the themes of myth, magic and the monstrous continue to preoccupy contemporary women writers who repeatedly turn to such themes as a means of challenging the frequently distorted images of gender proffered by patriarchal representations of women. This symposium seeks to address why the magical, mythical and the monstrous continue to remain prominent in contemporary women’s writing and explore how such tropes and topics continue to be deployed and reworked by authors to represent women in fiction.

Topics may include (but are not limited to):
  • Magical realism
  • Revisions of myths, fairytales and folklore
  • Rewriting stereotypes (hagiography and folklore)
  • Monstrous women
  • Retelling oral (hi)storytales
  • Magic, myth and monsters in genre fiction, short stories and children’s literature
  • Representations of women as ‘Other’
  • Ghosts and the Occult (dark side of magic)
  • Sci-fi

Please submit abstracts of 250 words for 20 minute papers via email to women@pgcwwn.org. Please state ‘Leicester’ in the title of your email. The deadline for proposals is 6 April 2012.

CONTACT INFORMATION:

For inquiries: women@pgcwwn.org

For submissions: women@pgcwwn.org

Website: http://pgcwwn.wordpress.com/
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22 March 2012

Call for Papers - Girls and Digital Culture: Transnational Reflections (UK)

Conference date: 13 - 14 September 2012

This is an international interdisciplinary conference hosted by the Centre for Culture, Media and Creative Industries and the Department of Digital Humanities, King’s College, London.

The conference seeks to bring together current research exploring the relationship between contemporary girlhood and digital culture, in a transnational frame. Drawing on approaches from the arts, humanities and social sciences, the conference will look at how contemporary transformations and transnational interconnections may be challenging existing social and cultural categories, power structures and global hegemonies. The conference will consider the following questions:

- What are the key debates in current research on girls, young women and digital culture?
- How might a transnational lens raise new questions, and what new ideas does it make thinkable?
- Is digital culture global culture?
- How does the development of new digital technologies affects notions and experiences of girlhood?
- How are girls using new digital technologies?
- How do ideas and practices move across national borders?
- What effects do transnational interconnections have on girlhood and digital culture?

SPEAKERS INCLUDE:
  • Lisa Nakamura
  • Shani Orgad
  • Kalpana Wilson
  • Jessica Ringrose
  • Rupa Huq
  • Simidele Dosekun

Papers will be welcomed from across the social sciences, arts and humanities, including sociology, geography, media and communication studies, digital humanities, web science, gender studies, queer studies, cultural studies and postcolonial theory, as well as from artists, activists, grassroots and community initiatives and policy makers/think tanks.

THEMES OF THE CONFERENCE INCLUDE:

- Girls experiences of digital culture
- Gender and social media
- Sexuality
- Activism and politics
- Identity and subjectivity
- Development
- Gender and blogging
- Gender, play and digital culture
- Power and digital divisions
- Convergence
- Intersectional and transnational approaches

Via: janefae

CONTACT INFORMATION:

For inquiries: technologygirlsanddigitalculture@gmail.com

For submissions: technologygirlsanddigitalculture@gmail.com
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16 March 2012

Call for Papers: Anger in Women's Fiction (MLA 2013, Boston)

Deadline: 26 March 2012

This panel will focus on anger in twentieth and twenty-first-century fictional works by women writers both within and beyond the English-speaking world.

Contempt for women’s anger has been a longtime companion to misogyny, making the expression of rage on women’s part a particularly radical gesture. Further, women’s texts that rely systematically on anger are quite rare and often exist at the margins of literature. Those that do become canonical, like the works of Elfriede Jelinek and Annie Ernaux, remain profoundly disturbing as their excessive and destructive force proves to be uncontainable by their status as established literature.

Submissions can address questions of aesthetics, politics, theory, or philosophy in relation to the proposed theme. Close readings and interdisciplinary work are welcomed.

Note that I have been approached by a publishing house to propose an edited volume based on the proceedings of the panel.

Please send your 300-word abstract and a brief bio to Caroline Godart (caroline.godart@gmail.com) by March 26, 2012.

CONTACT INFORMATION:

For inquiries: caroline.godart@gmail.com

For submissions: caroline.godart@gmail.com

Website: http://www.mla.org/convention
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Call for Proposals: PAMLA's Annual Women in Literature Panel (Seattle)

Deadline: 22 April 2012

We are currently accepting proposals for PAMLA's annual "Women in Literature" panel. This year's conference will be held in Seattle, Washington from Oct 19th - 21st, 2012. As the subject is a rather broad one, a range of scholarly perspectives will be welcomed. Potential topics might include, but are by no means limited to:

- Contemporary or "Postmodern" Women Writers
- Feminist/Lesbian/Queer Representations in works written by women
- Feminine ecriture (or other modes of "female" writing)
- Women Writing Women
- Women Writing in Male-Dominated Genres (Historical Fiction, Fantasy, Mystery, etc.)
- Postcolonial Women Writers
- Geographical and Historical Contexts
- Motherhood/Creative Acts
- Female Sexuality/Jouissance
- "The Woman Question"
- "The Madwoman in the Attic"

If interested, please submit your proposal by April 22nd (no more than 500 words) via the PAMLA website, at: http://www.pamla.org/2012/

The PAMLA website also provides detailed information regarding membership requirements and conference registration. Should you have any further questions, please contact presiding officer Hannele Kivinen at hkivinen@yorku.ca.

CONTACT INFORMATION:

For inquiries: hkivinen@yorku.ca

For submissions: hkivinen@yorku.ca

Website: http://www.pamla.org/2012/
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08 March 2012

Call for Papers - Women in Shakespeare: A Post-Feminist Scrutiny (3-day conference at VMOU, India)

Deadline: 31 March 2012

WOMEN IN SHAKESPEARE: A POST-FEMINIST SCRUTINY
4-6 October, 2012
Kota, Rajasthan, India

Vardhaman Mahaveer Open University, Kota, Rajasthan (India) and The Shakespeare Association (India) invite scholars to participate in the three- day International Conference (4-6 October, 2012) on Women in Shakespeare: A Post-Feminist Scrutiny including the issues of ‘representations’, ‘intentions’ and ‘interpretations’ as raising from or questioned in Shakespeare’s work.

We invite contributions that explore the theme ‘Women in Shakespeare: A Post-Feminist Scrutiny’, including but not limited to papers which focus on the following sub-themes:
  • Feminism and its discontents.
  • Feminist Reading of Shakespeare’s Comedies, Tragedies, Histories, Romances, or any individual play.
  • History of critical shifts to women in Shakespeare.
  • Where does Feminism go wrong in its interpretation of Shakespeare?
  • Categories and classes of women in Shakespeare from the viewpoint of Feminism.
  • Can we spell out the tenets of post-feminist approach to Shakespeare?
  • Why Shakespeare defies all-theoretical approaches including Feminism?
  • Feminist interpretation of Shakespeare’s Sonnets, The Rape of Lucrece, or Venus and Adonis.
  • Looking for difference between Shakespeare’s depiction of women in history and his own view of women.
  • Shakespeare and the Renaissance view of woman.

IMPORTANT DATES:
  • Abstract Submission Deadline: March 31, 2012
  • Notification of Acceptance: April 15, 2012
  • Full Paper Submission: August 31, 2012

ABSTRACT SUBMISSIONS SHOULD INCLUDE THE FOLLOWING INFORMATION
  • Author’s full name and designation
  • Author’s affiliation and address
  • E-mail contact address
  • Title of the paper
  • Abstract (up to 250 words)
  • Please send your abstract in Times New Roman. After the review committee recommendations the selected abstracts will be intimated through email.

Please email abstracts to: kchaudhary@vmou.ac.in

FOR ENQUIRIES AND COMMUNICATION, PLEASE CONTACT:

Prof. B.S.Dahiya
President, Shakespeare Association (India)
bhimsinghdahiya@gmail.com

CONTACT INFORMATION:

For inquiries: bhimsinghdahiya@gmail.com

For submissions: kchaudhary@vmou.ac.in

Website: http://www.vmou.ac.in/WomeninShakespeare.asp
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06 March 2012

Call for Papers - The Woman and the Pen: Annual Lyrical Dialogues at Harvard

Deadline: 21 March 2012

"The Woman and the Pen: Composers, Authors and Salonnières": Annual Lyrica Dialogues at Harvard on Friday, 18 May 2012, 8:30 a.m. to 5 p.m., in The Pusey Room at Memorial Church, in Harvard Yard. Nine papers will be accepted in addition to the Keynote Address. Abstracts, not to exceed 250 words, should be sent to lyricasociety@aol.com, with Dialogues 2012 in the subject line.

CONTACT INFORMATION:

For inquiries: lyricasociety@aol.com

For submissions: lyricasociety@aol.com

Website: http://www.lyricasociety.org/
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Call for Papers: Madness and Mayhem in Women's Novels of the Black Diaspora (MLA Convention, Boston)

Deadline: 15 March 2012

Female madness is well represented within European and Anglo-American literature, letters, and scholarly endeavors. From Sandra Gilbert and Susan Gubar’s inaugural The Madwoman in the Attic (1979) to Elaine Showalter’s The Female Malady (1987) and more recent forays into madness as a trope of female (dis)empowerment, mental illness has been largely feminized and reified into a space of literary whiteness. Nevertheless, this is paradoxical, considering the multiplicity of female writers of the black diaspora who incorporate mental illness into their work.

This panel will focus on twentieth and twenty-first century novels by black women authors writing from Africa, the Americas, and Europe, who incorporate madness as a site of political, cultural, and artistic resistance, particularly as embodied in the use of experimental writing practices. This panel thus creates a conversation at the crossroads where aesthetic praxis morphs into political engagement. Interdisciplinary scholarship is welcomed. There is the potential for an edited volume.

Submit a 300 word abstract to Caroline Brown (at caroline.brown@umontreal.ca) by March 15, 2012. Please note, special sessions must be approved by the MLA.

CONTACT INFORMATION:

For inquiries: caroline.brown@umontreal.ca

For submissions: caroline.brown@umontreal.ca

Website: http://www.mla.org/convention
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05 March 2012

Women's Work: Women's Caucus of the Modern Languages Association (MLA Convention, Boston)

Deadline: 15 March 2012

Join the Women's Caucus of the Modern Languages at the MLA convention to 2013! (Boston, Jan. 1-3 2013). Our general rubric for our three panels is "Women's Work," by which we mean not only working conditions for women in academia, but also the gendering of those conditions, which includes male workers as well. We would appreciate it if you would circulate these calls widely to appropriate lists, as well as sending in proposals yourself.

1) Gender Work and Two-Year Colleges. We’re interested in the material conditions of, and organizing activities in response to, gender relations in community colleges. Campus labor, policies, co/teaching experiences. 250-word abstract and brief c.v. to Jessica Ketcham-Weber by 3/15 at jweber@cascadia.edu

2) In collaboration with the Committee on Contingent Labor in the Profession

Gender and Contingent Labor. How is contingent labor feminized (or not) on your campus? We particularly seek examples of successful or promising avenues toward equity. 250-word abstract and brief c.v. to Kirsten Christensen by 3/15 at kmc@plu.edu

3) Labor Negotiations: Family Medical Leave. Schools have official and unofficial practices about eldercare, parenting, and medical leave. We're interested in best practices and advice that could help others. 250-word abstract and brief c.v. to Michelle Massé by 3/15 at mmasse@lsu.edu

CONTACT INFORMATION:

For inquiries: mmasse@lsu.edu

For submissions: mmasse@lsu.edu

Website: http://www.mla.org/convention
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01 March 2012

Call for Papers: Early Tory Women Writers (MLA Convention, Boston)

Deadline: 15 March 2012

This panel seeks papers on the raucous, philosophical, hybrid, experimental literature that characterized the ouevre of "conservative" Tory women from the Restoration through 1720s. Please send ca. 500-word abstracts. by 15 March 2012; Manushag Powell (mnpowell@purdue.edu) and Rivka Swenson (rswenson@vcu.edu).

CONTACT INFORMATION:

For inquiries: mnpowell@purdue.edu, rswenson@vcu.edu

For submissions: mnpowell@purdue.edu) and Rivka Swenson (rswenson@vcu.edu

Website: http://www.mla.org/convention
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22 February 2012

Call for Papers: Writing Mothers/ Daughters (one-day conference, Birmingham)

Deadline: 30 March 2012

Writing Mothers\Daughters: 1780-2012

A one day conference at Newman University College, Birmingham

Thurs 28th June 2012

Keynote Speaker: Sonya Andermahr, University of Northampton

Women’s writing owes its current prominence to the major achievements of second-wave feminist scholars who sought to recover its past and shape its present. They articulated a ‘political need’ to establish a female literary history as well as a ‘continuing need’ for women to ‘claim cultural legitimacy through authorising themselves’ (Eagleton, 2005). This project placed particular emphasis on the Romantic period as an age of proto-feminist activity and established a literary line between these foremothers, their nineteenth-century daughters, and an emerging body of contemporary women writers. The legacy of this literary line can be seen in the tendency of writers and critics to privilege women who identify as daughters, thus examining post-war female subjectivity in terms of an often fraught relationship with the mother. Recent writing and criticism has begun to reverse this perspective by prioritising the mother’s point of view and the examination of maternal subjectivities.

This one day conference seeks to examine representations of mother\daughter relationships – past and present – and to show that by attending to these narratives we can more acutely assess the varied and shifting dynamics between mothers and daughters as they exist within a range of historical, cultural and spatial contexts.

Topics for papers might include, but are not limited to:

• Exemplary mother\daughter relationships
• Accounts of mother\daughter relationships in life-writing
• Sentimentality and mother\daughter relationships
• Literary foremothers and their literary daughters
• Anxiety of Authorship/Anxiety of Influence
• Trends and shifts in narrative perspectives/voices
• Second-wave mother\daughter conflict
• Protofeminism/Feminism/Postfeminism and mother\daughter relationships
• Mothers\daughters and the ‘shared’ body
• Representations of non-biological mother\daughter relationships
• The mother’s significance in ‘coming-of-age’ narratives
• Psychoanalytical theory and mother\daughter relationships
• Queer mother\daughter relationships
• Postcolonial mother\daughter relationships
• Popular fiction and mother\daughter narratives
• Strategies for reading mother\daughter relations, past and present

Abstracts of 250 words and a short biographical note should be emailed to both K.Myler@staff.newman.ac.uk and J.Banister@leedsmet.ac.uk before Friday 30th March.

Dr Kerry Myler
Lecturer in English,
Newman University College,
Birmingham
Email: K.Myler@staff.newman.ac.uk

Dr Julia Banister,
Lecturer in English,
Cultural Studies and Humanities,
Leeds Metropolitan University
Email: J.Banister@leedsmet.ac.uk

CONTACT INFORMATION:

For inquiries: K.Myler@staff.newman.ac.uk, J.Banister@leedsmet.ac.uk

For submissions: K.Myler@staff.newman.ac.uk, J.Banister@leedsmet.ac.uk

Website: http://www.newman.ac.uk/mother-daughter/
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Call for Papers: Popular Women's Fiction in the 18th and 19th Centuries (RMMLA Convention, CO)

Deadline: 1 March 2012

Inviting papers (15-20 minutes) for the Popular Women's Fiction in the Eighteenth and Nineteenth Centuries session of the Rocky Mountain Modern Language Association conference, Oct. 11-13, 2012, in Boulder, Colorado.

The session generally accepts papers over American and British women's fiction of the eighteenth and nineteenth centuries. Papers on all genres will be considered as long as the work being analyzed falls within the framework of "popular" literature.

Please submit a one-page abstract by March 1, 2012 to Jeremy Hurley at Jeremy.Hurley@asu.edu.

CONTACT INFORMATION:

For inquiries: Jeremy.Hurley@asu.edu

For submissions: Jeremy.Hurley@asu.edu

Website: http://rmmla.wsu.edu/
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Call for Papers: The Modern Day Fairy Tale in Film and Television (SAMLA Convention, NC)

Deadline: 14 May 2012

Fairy tales never seem to go out of style. This panel seeks papers that discuss the significance and implications of works that take traditional fairy tales and make them modern. They may take elements of fairy tales or the whole tales themselves and revise or rework them, but there is still some basis in traditional fairy tale. These tales may also be reworked in order to show a more modern sense of race, class, or gender as well or may swap characters or roles.

Examples of these works includes (but are not limited to) the following:
  • Once Upon a Time
  • Grimm
  • Hanna
  • Penelope
  • Red Riding Hood
  • Ella Enchanted
  • Pan’s Labyrinth
  • Stardust
  • Harry Potter

Please submit a 250 word abstract and a short CV (no longer than 200 words) to shane.trayers@maconstate.edu by May 14th, 2012.

CONTACT INFORMATION:

For inquiries: shane.trayers@maconstate.edu

For submissions: shane.trayers@maconstate.edu

Website: http://samla.gsu.edu/
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19 February 2012

Call for Papers: 2012 Southern Women Writers Conference

Deadline: 9 April 2012

Since its inception in 1994, the Southern Women Writers Conference has been devoted to showcasing the works of well-known and emerging U.S. southern women writers, expanding the literary canon, and developing critical and theoretical understandings of the tradition of southern women’s writing.

Due to reduced resources, this will be the last SWWC, at least for the foreseeable future. In keeping with this milestone, and with the knowledge that all conclusions constitute new inceptions, our theme for the 2012 conference is “Beginnings and Endings.” Through their writing, southern women past and present have addressed both literal and metaphorical “beginnings’ and “endings” in a variety of ways. The theme certainly conjures up images of births, deaths, and rebirths and the emotions often associated with those images: joy, excitement, sadness, grief, anxiety, hesitancy, a sense of freedom, relief, hope. And while positive feelings are usually associated with beginnings and negative ones with endings, is this always the case? Might endings be celebratory and beginnings sorrowful? To what degree might “newness” spring from passings? We invite critical and creative submissions that explore the full range of the conference theme explored by women in and of the South, including but not limited to:

-literary eras and genres
-writers’ careers, relationships, projects, and lives
-social and political institutions
-migrations and diasporas
-nationalisms
-communities and ecosystems
-critical methodologies
-narrative forms
-canonical and non-canonical works of fiction, poetry, autobiography, creative nonfiction, and drama
-non-discursive works including film, photography, and other visual or performance arts

Critical Submissions: Please send 300-word abstracts or completed papers that can be read aloud in twenty minutes. If submitting a proposal for a panel, please include the names of participants and abstracts for individual papers. Male scholars are encouraged to participate.

Creative submissions: Please submit creative work (poetry, fiction, creative nonfiction, or drama), appropriate to the conference’s thematic focus, for a twenty-minute reading. Authors should be women who meet at least one of the following criteria: were born in or grew up in the U.S. South; currently live in the U.S. South; write about the U.S. South.

All submissions should be postmarked no later than Monday, April 9, 2012 and may be sent via e-mail as attachments in MS Word format to swwc@berry.edu or by regular mail to: Southern Women Writers Conference; Berry College; Box 490350; Mt. Berry, GA 30149. Requests for multi-media equipment should accompany submissions. For more information, visit the conference website at http://www.berry.edu/academics/humanities/english/swwc/.

CONTACT INFORMATION:

For inquiries: swwc@berry.edu

For submissions: swwc@berry.edu

Website: http://www.berry.edu/academics/humanities/english/swwc/
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